King Solomon's Mines Page #5

Synopsis: Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection?
Production: MGM Home Entertainment
  Won 2 Oscars. Another 1 win & 2 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
92%
PASSED
Year:
1950
103 min
472 Views


Oh, by the way,

did you hear anything last night?

I thought I heard a scream.

A human scream, as a matter of fact.

I didn't hear anything.

You must have been dreaming.

Come on, let's get going.

Beth.

You sure you don't wanna go with them?

Lovely, isn't it? It has a sort of majesty.

A feeling of forever.

Forever's quite correct.

- Looks completely peaceful.

- It isn't.

It's been tearing its own thread

for a million years.

In this one small area here,

there are 1000 creatures...

...living, killing, being killed,

eating, being eaten.

There's not an inch that doesn't have war

if you look for it.

Look.

And look there.

- I don't see anything.

- Now, wait a minute. It will move.

That's a mamba. One nip from that,

and you stay here.

Much of the forest lives up there.

The vines keep reaching to the sun.

They make that layer thicker until

they shut out the sun so completely...

...nothing green will ever grow down here.

Look. There's a sight.

Oh, look!

Yeah, a scavenger.

Everybody knows about vultures, but there

are others in the forest that keep it clean.

Hey, careful!

Safari ants. They attack in thousands.

Give them half the chance,

they'll eat you too.

Anteater.

Eating and being eaten.

There isn't a creature in the forest

that isn't hunted.

Except the elephant.

They're afraid of him. He's king.

- The elephant, not the lion?

- No, not the lion. Not in Africa.

Not brave or clever enough.

Elephant's the king.

And man?

Just meat like everything else.

No souls in the jungle,

little justice and no ethics.

In the end, you accept it all.

You watch things hunting and being hunted.

Reproducing, killing and dying.

It's all endless and pointless.

Except, in the end, one small pattern

emerges from it all. The only certainty.

One is born, lives for a time

and dies. That's all.

- All the rest is yeey saba.

- What's that?

Yeey saba?

Oh, it's a game the natives play.

It doesn't make sense. It's quite pointless.

A chases B, B chases C,

C chases A.

Then they go the other way

and make a fuss...

...trying to get things from each other.

Bits of nothing. Twigs and leaves.

It's quite senseless.

Except that the fellow here

has satisfied his desire to be over there...

...everybody's had fun

running after something...

...everybody's grabbed a handful

of stuff they wanted...

...because everybody else wanted them.

And, well, it's endless.

It's quite pointless.

It's a silly game, yeey saba.

I'm sorry.

- Sorry?

- You are sick of life, aren't you.

- What are you talking about, Elizabeth?

- Motives.

- You're being confoundedly enigmatic.

- No, she's not.

She's making very good sense.

Rate this script:4.0 / 1 vote

Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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