King Solomon's Mines Page #4

Synopsis: Guide Allan Quatermain helps a young lady (Beth) find her lost husband somewhere in Africa. It's a spectacular adventure story with romance, because while they fight with wild animals and cannibals, they fall in love. Will they find the lost husband and finish the nice connection?
Production: MGM Home Entertainment
  Won 2 Oscars. Another 1 win & 2 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
92%
PASSED
Year:
1950
103 min
463 Views


to evaporate, or you won't last two hours...

...and you're sealed up like a tin of pears.

Khiva, get that box!

This may be the costume

for shooting pheasant in Sussex...

...but it won't do here. Go behind the

bushes change. Take off those corsets.

Impertinent, wretched man.

To think I would just... Terrible.

Unbearable behavior. Really.

- That's a very becoming outfit, Beth.

- I hate it!

If you'll keep absolutely still...

Don't shoot. Stand still.

That was a close call.

Not really. They're not dangerous

unless hungry.

How do you know

when they're hungry?

- Well, if they eat you, they're hungry.

- Seriously, how did you know?

Look.

Why didn't you shoot?

- Why, you want a trophy?

- It might have killed us.

Well, if it had tried, I'd have shot it.

Otherwise, there's not much point.

I didn't tell you to run!

A man's heart

can stand still, so can you.

- How far have we gone?

- Well, we started here.

Now we're somewhere about here.

That took us seven days?

We have to head

for the Kaluana Village there.

Curtis' map starts where

the large map ends, at the village.

That in itself is a long trip.

We know where the Kaluana

tribe is but little else...

...except that they're said

to be dangerous.

- You've never been among them?

- I'm not an explorer.

In fact, to my knowledge, no white man

has been near the Kaluanas for five years.

They're feared as much by natives

as they are by whites.

We'll have trouble getting

our boys that far.

- We can't be sure that Henry got that far.

- No.

We'll inquire of other tribes, of course,

but we've got to go to the Kaluana.

It is the only place we know

Curtis was trying to reach.

- How long will it take?

- Weeks. Months, perhaps.

I don't know. I've never taken a woman

on safari with me before.

Have I been a handicap?

Why, no, Mrs. Curtis,

but the fun hasn't started yet.

When it does, I'm sure we'll all enjoy it.

What do they sing about?

Oh, all sorts of things.

About their work. The money

they're gonna earn on this job.

About wives and sweethearts, everything

they're gonna do when they get home.

What are they singing about now?

Now they're singing about Mrs. Curtis.

They call her:

That means "the lady

with the flaming hair."

What else?

They say you're very fortunate

because Bwana Allani...

...will protect you from lions, leopards,

elephants, all the terrors of the jungle.

What are they saying now?

Well, they say that I'm

very fortunate too.

I'm sorry. I couldn't help it.

It was one of those...

It was a dream again.

I'm sorry, truly I am.

- Where are they going?

- They're going back.

I wondered how we

were gonna get over that.

From now on, we do without luxuries.

Rate this script:4.0 / 1 vote

Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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