I'm Not There. Page #3

Synopsis: Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.
Director(s): Todd Haynes
Production: The Weinstein Co.
  Nominated for 1 Oscar. Another 27 wins & 45 nominations.
 
IMDB:
7.0
Metacritic:
73
Rotten Tomatoes:
77%
R
Year:
2007
135 min
$4,000,000
Website
1,143 Views


Well, I don't know.

I... I guess...

I got a lot of thoughts inside of me,

and most people, they...

they... keep them all inside.

And I guess it's for them

that I do what I do.

Today, the name Jack Rollins

might best be remembered

as the tortured singer

battling his conscience

in the 1965 drama,

Grain of Sand.

The role, of course,

that launched the career

of Hollywood rebel Robbie Clark.

Hell, I don't pick what I sing.

It picks me.

Some of it ain't pretty.

I mean, how you ever

gonna change anything

if you only wanna show what's pretty?

In his first exclusive interview in 20 years...

Tonight, we bring you face-to-face

with the real Jack Rollins.

# William Zanzinger

killed poor Hattie Carroll #

# With a cane that he twirled #

# 'Round his diamond ring finger #

He saw what was going on

in the world,

and he had the ability

to distill it into a song.

And this elevated the discussion.

I mean, certainly

within the folk world,

but all through popular music,

the bar had risen.

Alice Fabian

was herself a leading figure

in the folk revival,

achieving international success

a few years before

their first meeting in 1962.

Hey, you're in my chair.

I was at a party in the Village,

and this twerpy little kid

who'd been hanging around,

kind of flirting with my baby sister

and kissing up to me,

starts playing these songs

that he'd written on guitar.

Now, this was '61, '62,

and all anybody sang were traditionals,

and here's this kid, applying traditional form

to contemporary concerns,

but with such insight, you know?

It was devastating.

You couldn't believe

this was coming out of this little toad.

Nobody was writing songs like that.

It was as if he was giving voice to ideas

that I wanted to express

but didn't know how.

Um, his finger-pointing songs,

he called 'em.

He was churning them out

like ticker tape.

Well, folk music has always

been a political music,

but he was really expressing

it as an art form

in a way that was multileveled and very deep.

# Hattie Carroll

was a maid of the kitchen #

# She was 51 years old #

# And gave birth to ten children #

# Who carried the dishes

and took out the garbage #

# And never sat once

at the head of the table #

# And didn't even talk

to the people at the table #

# She just cleaned up

all the food from the table #

# And emptied the ashtrays

on a whole other level #

# Got killed by a blow,

lay slain by a cane #

Every night,

I would call this ragamuffin on stage

and introduce America

to Jack Rollins.

I'd say, you know,

that he has something to say,

you know, and that he is...

he is speaking for me

and everybody who wants

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Todd Haynes

Todd Haynes (; born January 2, 1961) is an American independent film director, screenwriter, and producer. He is considered a pioneer of the New Queer Cinema movement of filmmaking that emerged in the early 1990s. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's tragic life and death, using Barbie dolls as actors. Haynes had not obtained proper licensing to use the Carpenters' music, prompting a lawsuit from Richard Carpenter, whom the film portrayed in an unflattering light, banning the film's distribution. Superstar became a cult classic.Haynes' feature directorial debut, Poison (1991), a provocative, three-part exploration of AIDS-era queer perceptions and subversions, established him as a formidable talent and figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film Safe (1995), a symbolic portrait of a housewife who develops extreme allergic reactions to her suburban life. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. Haynes' next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era, drawing heavily on the rock histories and mythologies of David Bowie, Iggy Pop, and Lou Reed. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival and an Academy Award nomination for Best Costume Design. Haynes gained critical acclaim and a measure of mainstream success with his 2002 feature, Far from Heaven. Inspired by the cinematic language of the films of Douglas Sirk, Far From Heaven is a 1950s-set melodrama about a Connecticut housewife who discovers that her husband is gay and falls in love with her African-American gardener. The film received four Academy Award nominations, including Best Original Screenplay for Haynes. His fifth feature, I'm Not There (2007), marked another shift in direction. A nonlinear biopic, I'm Not There depicts various facets of Bob Dylan through seven fictionalized characters played by five actors and an actress. I'm Not There received critical acclaim and an Academy Award nomination for Best Supporting Actress for Cate Blanchett. In 2011, Haynes directed and co-wrote Mildred Pierce, a five-hour mini-series for HBO, which garnered 21 Emmy Award nominations, winning five, as well as four Golden Globe Award nominations and a win for lead actress Kate Winslet. In 2015, Haynes returned to the big screen with Carol, his sixth feature film and the first film not written by him. Based on Patricia Highsmith's seminal romance novel The Price of Salt, Carol is the story of a forbidden love affair between two women from different classes and backgrounds in early 1950s New York City. The film received critical acclaim and many accolades including six Academy Award nominations, five Golden Globe Award nominations, and nine BAFTA Award nominations. more…

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