Hobson's Choice Page #5

Synopsis: 1880s Salford, England. Widowed Henry Hobson, owner/operator of Hobson's Boots, lives with his three adult daughters, Maggie, Alice and Vicky, in a flat attached to the shop. Henry is miserly, dipsomaniacal and tyrannical, not allowing his daughters to date as their sole purpose in life is in service to him and to the shop, they who receive no wages in that professional service. He changes his mind about Alice and Vicky, for who he will choose husbands, despite they, the romantic ones, already having chosen the men they would marry if given the opportunity. He will, however, not provide them with a dowry, which may prove to be a challenge in finding them who he would consider suitable husbands. Concerning Maggie, he believes she is far too useful to him as the overly efficient and organized one to let go, and too old at age thirty for any man to want her anyway. Incensed by her father's attitude about her, Maggie decides that she has to show him how wrong he is about her being an unmar
Genre: Comedy, Drama, Romance
Director(s): David Lean
Production: Criterion Collection
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
NOT RATED
Year:
1954
108 min
627 Views


Well?

Well, what?

It seems to me to point one way.

What way is that?

You're leaving me

to do all the work, my lad.

I... I think I'll be getting back to me stool,

Miss Maggie.

You'll go when I've done with you.

I've been watching you

for a long time,

and everything I've seen I've liked.

I think you'll do for me.

- What way, Miss Maggie?

- Will Mossop...

You're my man!

- Well, I never...

- I know you never.

Or it wouldn't be left for me

to do a job like this.

I... I'll, er...

I... I'll sit down.

I'm feeling queer like.

What...

What dost thou want me for?

To invest in.

You're a business idea

in the shape of a man.

- But I've no head for business at all.

- But I have.

My brains and your hands'll make

a working partnership.

Partnership?

Eeh, hey, that's different.

- I thought you were asking me to wed you.

- I am.

Well, by gum!

And you the master's daughter.

I'll tell you something, Willie.

It's a poor sort of woman

that will stay lazy

when she sees her best chance

slipping from her.

- I'm your best chance?

- You are that, Will.

Well, by gum!

I... I never thought of this.

- Think of it now.

- I am doing.

Only it blows a bit too sudden

to think very clear.

You're going to wed me, Will.

Nay.

Really, I... I can't do that,

Miss Maggie.

I... I can see I'm disturbing

your arrangements, like,

but... I'll be glad

if you'll put this notion from you.

When I make arrangements, my lad,

they're not for upsetting.

You're walking out with me.

Peel Park. Sunday.

Peel Park?

- But folks'll think...

- Thinking won't hurt them.

You can go home now, Willie.

I've come.

I told you to come.

Who's that?

William Mossop.

Who's William Mossop?

Our boot hand.

You're a natural-born genius

at making boots.

It's a pity

you're a natural fool at all else.

I'm not much use at owt but leather,

and that's a fact.

I saw the river clean once.

Sunday school outing, up on t'moors.

Will?

We'll have the first banns call

next Sunday.

Nay.

I have a great respect for you,

Miss Maggie,

but when it comes to marrying,

I'm bound to tell you

I'm none in love with you.

I've got the love all right.

Well, I've not and that's honest.

We'll get along without it.

But what will the master say?

He'll say a lot, but he can say it.

Makes no difference to me.

Much better not upset him.

- I'm the judge of that.

- Oh.

But what makes it

so desperate awkward is,

there's another woman.

- There's what?

- I'm tokened to Ada Figgins.

Then you'll get loose,

and quick.

Who's Ada Figgins?

I'm the lodger at her mother's.

Not that sandy-haired girl

that brings you dinner?

She's golden-haired, is Ada.

Where is it?

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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Submitted on August 05, 2018

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