Hobson's Choice Page #4

Synopsis: 1880s Salford, England. Widowed Henry Hobson, owner/operator of Hobson's Boots, lives with his three adult daughters, Maggie, Alice and Vicky, in a flat attached to the shop. Henry is miserly, dipsomaniacal and tyrannical, not allowing his daughters to date as their sole purpose in life is in service to him and to the shop, they who receive no wages in that professional service. He changes his mind about Alice and Vicky, for who he will choose husbands, despite they, the romantic ones, already having chosen the men they would marry if given the opportunity. He will, however, not provide them with a dowry, which may prove to be a challenge in finding them who he would consider suitable husbands. Concerning Maggie, he believes she is far too useful to him as the overly efficient and organized one to let go, and too old at age thirty for any man to want her anyway. Incensed by her father's attitude about her, Maggie decides that she has to show him how wrong he is about her being an unmar
Genre: Comedy, Drama, Romance
Director(s): David Lean
Production: Criterion Collection
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
NOT RATED
Year:
1954
108 min
624 Views


I'm not a fool.

Then it's all off?

From the moment you breathed

the word "settlements", Jim,

it were dead off.

There'll be no marriages

in my house.

- Father!

- Aye?

No self-respecting decent man'll

marry us without settlements.

- It's expected from a man like you.

- Is it? Then I'll thwart their expectations.

- Father.

- Get back into t'shop, the lot of you!

Oh, they'll soon get over it, Maggie.

Aye.

I'm making plans,

and a husband's included in them.

What?

One, two, three Sundays

for calling the banns.

Any time after that,

when we get a fine day, I shall be wed.

- You?

- Me, Father.

I'll tell you something, Maggie,

that's maybe news to you.

If you're counting on a settlement from me,

you're on t'wrong horse.

Nay, I'm not.

I want no settlement.

I should think not neither.

- What's his name?

- His name?

I'll tell you when I've got him.

Out counting chickens

before they're hatched?

Maggie!

You nearly frightened me.

I never knew an old maid yet that hadn't

a husband coming along in a month.

I'll admit you gave me a shock

when you broke t'news

but I've no cause to fret meself.

Can't imagine you having

these fancies, Maggie.

Fancies are of value

for keeping females quiet and content.

Go and get back in t'shop.

It's a great relief to know

that your mind's taken up with ideas.

I thought at first it was taken up

with a real man.

- Good night, Maggie.

- Good night, Father.

- There's a good lass.

Good night.

- Willie?

- Yes, Miss Maggie?

- Come up.

- I... I haven't finished yet, Miss Maggie.

Come up.

Come with me.

Shut the door.

Come here.

Show me your hands, Willie.

They're dirty.

Aye, they're dirty,

but they're clever.

They can shape the leather

like no other man's

that's come into the shop.

Who taught you, Willie?

Why, Miss Maggie,

I learnt me trade here.

Hobson's never taught you

to make boots the way you do.

- I've had no other teacher.

- And needed none.

- When are you going to leave Hobson's?

- Leave Hobson's?

I... I thought I gave satisfaction.

- Don't you want to leave?

- Not me.

I've been at Hobson's all me life.

I'm not leaving till I'm made to.

Don't you want to get on,

Will Mossop?

You know the wages you could get

in one of the big shops in Manchester.

I'd be feared to go

in one of them fine places.

What keeps you here?

I don't know.

I... I'm used to being here.

Do you know what keeps

this business on its legs?

Two things.

One's the good boots you make

that sell themselves.

The other's the bad boots

other people make and I sell.

We're a pair, Will Mossop.

You're a wonder in t'shop,

Miss Maggie.

You're a marvel in the workshop.

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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Submitted on August 05, 2018

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