Hobson's Choice Page #3

Synopsis: 1880s Salford, England. Widowed Henry Hobson, owner/operator of Hobson's Boots, lives with his three adult daughters, Maggie, Alice and Vicky, in a flat attached to the shop. Henry is miserly, dipsomaniacal and tyrannical, not allowing his daughters to date as their sole purpose in life is in service to him and to the shop, they who receive no wages in that professional service. He changes his mind about Alice and Vicky, for who he will choose husbands, despite they, the romantic ones, already having chosen the men they would marry if given the opportunity. He will, however, not provide them with a dowry, which may prove to be a challenge in finding them who he would consider suitable husbands. Concerning Maggie, he believes she is far too useful to him as the overly efficient and organized one to let go, and too old at age thirty for any man to want her anyway. Incensed by her father's attitude about her, Maggie decides that she has to show him how wrong he is about her being an unmar
Genre: Comedy, Drama, Romance
Director(s): David Lean
Production: Criterion Collection
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.7
Rotten Tomatoes:
90%
NOT RATED
Year:
1954
108 min
619 Views


- Frederick.

- Yes, Father?

- You see where Hobson's going?

- Yes, Father.

There's a small spark of decency

in that man

that's telling him at this very moment

that my eye's on him.

- Morning, sir.

- Morning.

Ah.

Good morning, Mr Hobson.

Morning, Henry.

- Morning, Henry.

- Up late this morning, Henry.

I were detained.

- More.

You're doing a good class of trade, Henry.

Carriage folk now, eh?

- Good health.

- I'd be in better health if it weren't for you.

Do you think I'd pay you to dress

my daughters up like French poodles?

You'll be 15 a year

worse off for this.

Now, Henry,

this is not the language of friends,

and I hope we're all friends here.

Aye.

I own I'm a bit short today.

But I've cause to be an' all.

Sam...

You've got daughters.

Do yours worry you?

Nay, they mostly do as I bid 'em,

and the missus does the leathering

if they don't.

Aye.

A wife's a handy thing,

and I wish mine were still alive.

I know...

I know what you're thinking,

but I do.

I felt grateful

when my Mary fell on rest,

but I can see now

that I made a mistake.

Eh.

The dominion of one woman

is paradise to the dominion of three.

You want to get 'em wed, Henry.

Aye, I've thought of that,

but the trouble is to find men.

Men are common enough.

I'd like my daughters to wed

temperance young men, Denton.

Good heavens.

Eeh, you must keep your demands

within reasonable limits, Henry.

You've got three daughters

to provide husbands for.

- Two, Jim, two.

- Two?

Maggie's too useful to part with.

Aye.

And she's a bit on t'ripe side

for marrying, is our Maggie.

Ripe! I've known 'em do it

at twice her age.

Still, leaving Maggie out,

you've still got two.

One'll do to start with.

I've noticed that if you get

one marriage in a family,

- it goes through t'lot like measles!

- Now, we're getting down to business.

- Yes.

We know what we want.

We want one young man,

and we want him temperance.

Question is, Henry,

how high are you prepared to go?

Oh, aye. I'll put me hand down

for the wedding do all right.

Aye, a warm man like you'll have to do

more than pay for a wedding do, Henry.

What's the price of an outfit,

Tudsbury?

Ooh, I could do

milady's trousseau for 60.

Hm.

And then there'll be...

settlements.

- Settlements?

- Marriage settlements, Henry.

Me pay marriage settlements?

Five hundred apiece

for temperance folk.

- Aye.

- Five hundred?

- You have to bait your hook to catch fish.

Then I'll none go fishing.

They can stay single and lump it.

Settlements indeed!

You'll save their keep.

They work for that,

and none of them are big eaters.

- And their wages.

- Wages?

D'you think

I'd pay my own daughters wages?

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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