Dracula's Daughter Page #3

Synopsis: Prof. Van Helsing is in danger of prosecution for the murder of Dracula...until a hypnotic woman steals the Count's body and cremates it. Bloodless corpses start appearing in London again, and Hungarian countess Marya Zaleska seeks the aid of Jeffrey Garth, psychiatrist, in freeing herself of a mysterious evil influence. The scene changes from foggy London back to that eerie road to the Borgo Pass...
Genre: Drama, Fantasy, Horror
Director(s): Lambert Hillyer
Production: Passport
  1 nomination.
 
IMDB:
6.4
Rotten Tomatoes:
46%
APPROVED
Year:
1936
71 min
748 Views


An unnatural loss of blood which

we've been unable to determine.

If we only knew what caused those two

sharp punctures over the jugular vein.

Well, at any rate, a good tramp over

the moors and the smell of the heather...

may help me forget London and

case histories of neurotic ladies.

Aye, but remember: You're not here to

doctor the birds, but to shoot them.

There are a few "birds" in London I'd like

to shoot, and they haven't feathers either.

All right, Jock.

It's my assistant, Janet Blake. I left her in

London with orders to forget where I'd gone.

- Jeffrey!

- Well, what in the name of...

Excuse me.

Well, what do you want? You. Come on. Get in.

You're going back to London. Oh, no. I

have an appointment with several grouse.

You have an appointment

with Scotland Yard.

What for?

I haven't killed anybody.

No, but a friend of yours has...

a man named Von Helsing.

Von Helsing? Professor Von

Helsing? He's in Budapest.

No, he's in London.

He needs help badly.

They tried to reach you here by phone yesterday,

and ended by my planing to Edinburgh...

and driving from there

all night.

I'm in no mood for an argument! Jeffrey,

we've barely time to reach the positions.

Miss Blake, Mr. Graham.

How do you do?

You'll have to forget about me.

Got to dash back to London.

Here, Angus. I knew I had no business buying

it in the first place. Keep it for next year.

Besides, I don't trust myself

with it at the moment.

Forgive his bad manners, Mr.

Graham. Never mind my bad manners!

I'll drop you a line.

Good shooting! Good-bye.

Just because you're a baronet's daughter, you take

liberties an ordinary secretary wouldn't think of.

The ordinary secretary wouldn't have

intelligence enough to think of it.

Well, you're driving.

Go ahead.

You want them to hang the

man before we get there?

I'm a psychiatrist,

Professor, not a lawyer.

I'd do anything in the world

to help you, but what?

You must convince them

of my sanity.

If I do that, they'll

hang you for murder.

You can't murder a man who's

been dead for five centuries.

Talking like that

won't help.

When you were a student under me in Vienna,

Jeffrey, you had a far more open mind.

My mind is just as open

as it ever was, Professor,

but it's a scientific mind, and there's

no place in it for superstitions.

Superstition?

Who can define the boundary between

the superstition of yesterday...

and the scientific fact

of tomorrow?

In the history of your

own profession, psychiatry,

a century before, hypnosis

was looked up as black magic.

Today it is accepted as

commonplace, even used in anesthesia.

What would have happened

to a man a hundred years ago...

who advanced the present-day

Rate this script:5.0 / 1 vote

Garrett Fort

Garrett Elsden Fort (June 5, 1900 - October 26, 1945) was an American short story writer, playwright, and Hollywood screenwriter. He was also a close follower of Meher Baba. Fort made his screenwriting debut with the silent film, One of the Finest (1917). Early in his career, Fort co-wrote the Broadway play Jarnegan (1928), based on the novel by Jim Tully. Fort's first talkie effort was the ground-breaking Rouben Mamoulian production Applause (1929). In 2006 Applause was recognized as a culturally, historically and aesthetically significant film by the National Film Registry.Fort was adept at alternating horrific highlights with bits of unexpected humor. As a screenwriter he is best remembered for his work on the original screen adaptations of such horror / melodrama films as Dracula (1931), Frankenstein (1931), Dracula's Daughter (1936), and The Mark of Zorro (1940). more…

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Submitted on August 05, 2018

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