Darrow & Darrow: In The Key of Murder

Synopsis:
Year:
2018
58 Views


[]

BE MY RIDE OR DIE

EVERY SINGLE DAY AND NIGHT

NEVER GONNA LEAVE

YOUR SIDE, LOVE

IF IT RAINS OR SHINES

I'LL BE YOURS

IF YOU'LL BE MINE

NEVER GONNA CHANGE MY MIND

LOVE:

I DON'T CARE IF THEY SAY

SLOW DOWN, TOO YOUNG

I DON'T CARE WHAT THEY SAY

BE MY RIDE OR DIE

- EVERY SINGLE DAY AND NIGHT

- CUT. CUT, CUT.

NEVER GONNA LEAVE YOUR SIDE

NEVER GONNA:

LEAVE YOUR SIDE:

[MUSIC STOPPING]

TRY IT AGAIN.

YOU SOUND LIKE YOUR MOUTH

IS FULL OF MASHED POTATOES.

UH...

YEAH, I'M SORRY.

DON'T BE SORRY.

JUST SING IT RIGHT!

I THOUGH IT SOUNDED BEAUTIFUL.

YEAH, YOU WOULD.

I THOUGH IT SOUNDED BEAUTIFUL.

BET YOU THOUGHT YOUR WIFE

SOUNDED GOOD, TOO, HUH?

THERE'S A REASON

SHE'S A BACKUP SINGER.

YOU'RE BOTH

OFF TODAY.

OKAY, QUIT PLAYING

WITH THE MIC STAND

AND DO IT AGAIN.

TRY TO SING LIKE YOU KNOW

WHAT YOU'RE DOING THIS TIME.

BE MY RIDE OR DIE

EVERY SINGLE DAY AND NIGHT

NEVER GONNA LEAVE

YOUR SIDE, LOVE

IF IT RAINS OR SHINES

I'LL BE YOURS

IF YOU'LL BE MINE

NEVER GONNA CHANGE MY MIND

LOVE:

I DON'T CARE IF THEY SAY

SLOW DOWN, TOO YOUNG

I DON'T CARE WHAT THEY SAY

BE MY RIDE OR--

[STOPPING MID-LYRIC]

LOOK, THIS ISN'T WORKING.

THIS JUST ISN'T GOOD ENOUGH.

I WON'T LET ANYTHING

LEAVE MY STUDIO:

SOUNDING LIKE THAT.

HEY, YOU, STOP

TAKING PICTURES.

GET OUT.

GET OUT!

LOOK, THIS IS OBVIOUSLY

NOT WORKING, ALL RIGHT?

LET'S TRY IT AGAIN

TOMORROW, ALL RIGHT?

DON'T LISTEN

TO THAT CREEP.

YOU WERE GREAT.

HAVE YOU THOUGHT ABOUT EVAN?

NO, I NEED TO...

I NEED TO TELL TERRY FIRST.

YOU KNOW WHAT'LL HAPPEN

IF YOU TELL HIM.

HE'LL TALK YOU

OUT OF IT.

HE ALWAYS DOES.

WHAT DO I ALWAYS DO?

UH... TERRY,

WE NEED TO TALK.

WE DO, HUH?

UM...

OKAY, COME ON.

I DON'T HAVE ALL NIGHT.

UM, I'VE BEEN TALKING

TO EVAN CARLTON.

EVAN CARLTON?

OH...

I BET HE TELLS YOU

HE THINKS YOU SOUND

LIKE ADELE.

NO, HE DOESN'T...

YOU KNOW HE'S BEEN TRYING

TO GET AT ME FOR YEARS.

HE HATES ME.

THIS ISN'T ABOUT YOU,

THIS IS ABOUT ME.

I'M FIRING YOU AS MY PRODUCER,

AND I'M GOING WITH EVAN, OKAY?

UM...

OKAY.

OKAY.

I JUST THOUGH THAT YOU WANTED

TO BE A REAL SINGER.

I DIDN'T THINK THIS WAS

JUST A VANITY PROJECT.

JUST STOP. STOP.

YOU NEED ME, PHOEBE.

YOU NEED ME:

TO PUSH YOU!

YOUR MIND GAMES ARE NOT GOING

TO WORK WITH ME, OKAY?

I'M LEAVING YOU,

AND EVAN IS PRODUCING MY ALBUM.

WHOSE ALBUM?

I OWN THAT ALBUM,

AND I WILL ERASE

EVERY TRACK:

BEFORE I ALLOW YOU

TO HAND IT OVER:

TO EVAN CARLTON:

OR ANYONE ELSE.

I SWEAR, IF YOU DO THAT...

YOU'LL BE SORRY.

OH, I'M TREMBLING.

[PHONE RINGING]

IT'S THE WIFE.

DO YOU MIND?

YEAH.

HELLO.

I'M COMING HOME SOON, HON'.

[]

[MEDITATION MUSIC PLAYING]

OH.

YOU CAN'T MEDITATE

IN YOUR OWN ROOM?

IT'S CALLED MINDFULNESS.

YOU SHOULD TRY I SOMETIME.

I HAVE MY OWN FORM

OF MINDFULNESS.

IT INVOLVES LISTENING

TO FRANK SINATRA

AND DRINKING A FEW...

I'M STANDING

RIGHT HERE.

OH, UH, DRINKING

A FEW... HOT COCOAS.

IS THAT ALL RIGHT?

DO YOU WANT ONE?

NO, I HATE HOT COCOA.

[CLAIRE]:

OKAY.

IT'S TIME

FOR OUR WEEKLY FAMILY MEETING.

OH, DARN.

YOU KNOW, I HAVE

TO BE SOME PLACE.

WHERE?

ANYWHERE BUT HERE.

BREAKFAST IS READY.

WAFFLES.

OH, YOU SO KNOW

MY WEAKNESS.

WELL, ONE OF THEM.

OKAY, LET'S GO.

LET'S JUST GET I OVER WITH.

HOW LONG HAVE YOU BEEN

BACK HERE?

A MONTH?

THREE WEEKS AND ONE DAY.

OKAY, SO...

YOU KNOW THE ROUTINE.

EACH WEEK,

WE STATE...

WE STATE OUR PLANS,

OUR GOALS...

AND OUR ASPIRATIONS.

OH, YOU POOR THING.

YOU THINK THIS IS NORMAL.

[CLAIRE]:

OKAY, SO,

MY PLAN IS TO GE AN ACQUITTAL

ON THE GORDON TRIAL.

MY GOAL IS, I WANT TO PREP

THE TALBOT CASE,

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Phoef Sutton

Robert Christopher Sutton (born September 11, 1958) is an American writer and producer. His film credits include Mrs. Winterbourne and The Fan, both released in 1996. Phoef — the first name that he uses both personally and professionally — is pronounced "feef", and was a childhood nickname given to him in infancy by his brothers. A 1981 graduate of James Madison University, Sutton began his career writing scripts for Newhart. He later became executive producer of and a writer for Cheers. He collaborated with Bob Newhart again on the 1992 TV series Bob and worked as a creative consultant on 90s TV series Almost Perfect and NewsRadio. With Mark Jordan Legan he wrote and produced the cult comedy series Thanks about the Pilgrims' first years in America and co-wrote a 2017 episode of Kevin Can Wait. He was also the showrunner and producer for the NBC series The Fighting Fitzgeralds and the American version of Coupling. In 1999, he published the novel Always Six O'Clock. In 2012 he published the novel The Dead Man: The Midnight Special and The Dead Man: Reborn. In May 2015, his novel Fifteen Minutes to Live was published by Brash Books. His other novels include Crush, and the two sequels Heart Attack & Vine and Colorado Boulevard, as well as two books co-authored with Janet Evanovich: Wicked Charms and Curious Minds. From 2005 to 2009, Sutton was a consulting producer for Boston Legal. In 2010, Sutton became a staff writer on the FX series Terriers starring Donal Logue. He was also a writer and consulting producer on the Rob Schneider sitcom Rob, the SyFy Channel series Defiance and the showrunner and writer for the TV Land original sitcom The Soul Man, among many other TV and film credits. He is an adviser to the American Shakespeare Center. more…

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Submitted on August 05, 2018

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