A Woman's Face Page #4

Synopsis: Anna Holm is a blackmailer, who because of a facial scar, despises everyone she encounters. When a plastic surgeon performs an operation to correct this disfigurement, Anna becomes torn between the hope of starting a new life, and a return to her dark past.
Director(s): George Cukor
Production: MGM Home Entertainment
 
IMDB:
7.2
Rotten Tomatoes:
100%
PASSED
Year:
1941
106 min
375 Views


DALVIK:

I never had eight in my hand.

ANNA:
You beasts.

- Anna, we didn't do it.

- You dirty, foul, loathsome swine.

DALVIK:
Anna, no.

[GLASS SHATTERS]

TORSTEN:
What's seems to be the trouble?

- Oh, nothing. Nothing.

ANNA:

Why didn't you tell me Mr. Barring is here?

We didn't know.

I took the liberty of entering

by your private door.

Yes, of course.

And you're welcome to.

Your shopping venture

was extremely successful.

Come in, come in, won't you?

- That was a very funny joke of yours.

- Yeah, very funny. Ha-ha-ha.

- Three dead.

- She wouldn't have.

- Wouldn't she?

- She would.

Well, that explains the new hat.

Did you know anything about this?

What would Mr. Torsten Barring

have to do with her?

Yes. What would any man

have to do with her?

- He's handsome too.

- You think so.

Has she said anything to you about him?

Has there ever been any insanity

in the Barring family?

He couldn't be doing this for the police?

- Why, certainly not.

- No.

And why, my dear fellow, should

we have any concern about the police?

That's right. Why should we?

Yes. Why, indeed.

[BUZZER SOUNDING]

Mrs. Dr. Segert.

I haven't got a vase.

The only use I've ever had for one before

is to throw at those numbskulls out there.

[KNOCKING]

The client has arrived.

- I shouldn't come during business hours.

- It's been very interesting, Mr. Barring.

I'm sorry, but some woman wants

to discuss her financial affairs.

- Do forgive me.

- There will be other times.

The exit from paradise.

ANNA:
Mr. Barring?

TORSTEN:
Yes.

[SPEAKING INDISTINCTLY]

My masseuse directed me here.

She implied you might understand

my particular problem.

DALVIK:

My dear lady, I've devoted my life...

...to the understanding

of particular problems.

I don't quite know how to begin.

Possibly, I may assist you.

- You are married?

- And so happily married.

- My husband is a saint.

- To be sure.

To be sure.

- But, uh...

- Ah.

Some letters of mine were stolen.

I think at a roadhouse.

Oh, very unimportant letters, of course.

Of no possible value to anyone.

Some letters to your husband.

- No.

- Aha-ha.

- Oh, he's so stupid.

- Your husband. I see.

No. No, my friend.

To have lost them.

Some stranger

keeps telephoning me about them.

Incredible. Why should he do that?

He wants 5000 kroner.

Why, that's out-and-out blackmail.

Oh, what shall I do?

I haven't 5000 kroner.

Neither has my friend.

My poor dear woman.

[SOBBING]

Perhaps I can help you.

I have an acquaintance, I won't say friend,

he's a thoroughly bad lot.

But he might contact this blackmailer.

Perhaps in view of the circumstances,

ask for a reduction.

[BUZZER SOUNDING]

Please excuse me a moment.

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Francis de Croisset

Francis de Croisset (French: [fʁɑ̃sis də kʁwasɛ]; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist. His opera librettos include Massenet's Chérubin (1905), based on his play of the same name, and Reynaldo Hahn's Ciboulette (1923). In 1910 he married Marie-Thérèse Bischoffsheim, the widow of banking heir Maurice Bischoffsheim and the daughter of Count and Countess Adhéaume de Chevigné. They had two children, Philippe and Germaine de Croisset. By this marriage de Croisset had a stepdaughter, the arts patron Marie-Laure de Noailles. The de Croissets' grandson Philippe de Montebello was director of the Metropolitan Museum of Art from 1977 until 2008. more…

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Submitted on August 05, 2018

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