This Happy Breed Page #2

Synopsis: Noel Coward's attempt to show how the ordinary people lived between the wars. Just after WWI the Gibbons family moves to a nice house in the suburbs. An ordinary sort of life is led by the family through the years with average number of triumphs and disasters until the outbreak of WWII.
Genre: Comedy, Drama
Director(s): David Lean
Production: Universal
  1 win.
 
IMDB:
7.3
Rotten Tomatoes:
100%
NOT RATED
Year:
1944
115 min
683 Views


Mother must have.

He's up to no good, I shouldn't wonder.

Eh. We ought to have had him arranged

when he was little.

Don't be so vulgar.

Poor old girl. You must be glad

to have a home of your own again.

Living four years with your mother

can't have been all jam I will say.

I think I was better off

in the trenches.

You ought to be ashamed

saying such things.

Your mother's all right in her way,

but that house of hers in Battersea.

Oh, dear. It gave me the willies

after five weeks, let alone four years.

At least we got a bath here

that doesn't scratch the hide off you.

- Lend me your hanky?

- Here you are.

I must go and help Mother and Syl

get the supper.

- Here, let's have a look at you.

- What for?

Just to see what's happened to your face.

You know, I don't seem to have had time

for a really good look at it since I got back.

- Oh, stop it. Leave go -

- Here, hold still a minute.

- Now see here, Frank Gibbons.

- It's not such a bad face as faces go, I will say.

- Oh, thanks very much I'm sure.

- It's not quite as young as it was when I married it.

- Leave hold of me.

- But taken by and large, I wouldn't change it.

I might wipe some of the dirt off

the side of it, but I wouldn't change it.

- Dirt? Where?

- Here, hold still.

There. That's better.

- Now, then -

- Now then what?

- Give us a kiss.

- I'll do no such thing.

- And why not, may I ask?

- We haven't got no time for fooling about, and well you know it.

Oh, turning nasty, are we?

We'll soon see about that.

- Frank Gibbons!

- Shut up.

- [Knocking]

- Oh, dear.

I hope I don't intrude.

I live at number 15 next door.

My missus and I thought if you

needed anything in the way of groceries -

Well, I'll be blowed.

- Mitchell. Bob Mitchell.

- That's right.

Well, don't you remember me?

Frank Gibbons - the Buffs?

"B" Company, Festubert, 1915.

- Strike me pink, it's old Gibbo.

- You old son of a gun!

Blimey. I thought you was as dead

as mutton after that night attack...

when we'd gone on to Givenchy

and left you lot in the mud.

What, me dead as mutton?

I'm tougher than that.

Only one small hole

through me leg in four years.

- Here, take a chair.

- Thanks.

- How did you make out?

- Well, not so bad.

Got gassed in '17. I'm all right now though.

Left me chest a bit weak, that's all.

Well, I'll say it's a small world

and no mistake.

[Clears Throat]

Don't you think you'd better introduce me, Frank?

Of course. This is the wife, Bob.

- Pleased to meet you, Mrs. Gibbons.

- Oh, it's a pleasure, I'm sure.

[Chuckles]

Well, what a coincidence. I can't get over it.

- How long have you been here?

- Over a year now.

We took the house

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David Lean

Sir David Lean, CBE (25 March 1908 – 16 April 1991) was an English film director, producer, screenwriter and editor, responsible for large-scale epics such as The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), Doctor Zhivago (1965) and A Passage to India (1984). He also directed adaptations of Charles Dickens novels Great Expectations (1946) and Oliver Twist (1948), as well as the romantic drama Brief Encounter (1945). Originally starting out as a film editor in the early 1930s, Lean made his directorial debut with 1942's In Which We Serve, which was the first of four collaborations with Noël Coward. Beginning with Summertime in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film Ryan's Daughter led him to take a fourteen-year break from filmmaking, during which he planned a number of film projects which never came to fruition. In 1984 he had a career revival with A Passage to India, adapted from E. M. Forster's novel; it was an instant hit with critics but proved to be the last film Lean would direct. Lean's affinity for striking visuals and inventive editing techniques has led him to be lauded by directors such as Steven Spielberg, Stanley Kubrick, Martin Scorsese, and Ridley Scott. Lean was voted 9th greatest film director of all time in the British Film Institute Sight & Sound "Directors' Top Directors" poll in 2002. Nominated seven times for the Academy Award for Best Director, which he won twice for The Bridge on the River Kwai and Lawrence of Arabia, he has seven films in the British Film Institute's Top 100 British Films (with three of them being in the top five) and was awarded the AFI Life Achievement Award in 1990. more…

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