Thirteen Days Page #3

Synopsis: For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political, diplomatic and military confrontation that threatened to end in an apocalyptic nuclear exchange between the United States and the Soviet Union. Thirteen days captures the urgency, suspense and paralyzing chaos of the Cuban Missile Crisis.
Production: New Line Cinema
  3 wins & 7 nominations.
 
IMDB:
7.3
Metacritic:
67
Rotten Tomatoes:
83%
PG-13
Year:
2000
145 min
Website
1,373 Views


POL #2

Yeah. Still moldable, too.

KENNY:

Everyone likes a good kid...

And like that, a congressional candidate is made... Kenny

accelerates, leaving the Pols behind. Suddenly, outside the

windows, the crowd swells forward with a collective ROAR.

CROWD:

MR. PRESIDENT! PRESIDENT KENNEDY!

EXT. HOTEL - DAY

Kenny heads down the steps with New York Times Washington

Bureau Chief, SCOTTY RESTON. Anonymous, they weave their way

through the crowd for a police car on a side street.

RESTON:

How's my favorite President?

KENNY:

Busy. But you've got his heart.

RESTON:

I want an hour with him.

KENNY:

I said his heart, not his attention.

RESTON:

Three weeks before midterm elections?

You need me.

KENNY:

Well. There is a new civil rights

initiative he wants to talk about.

RESTON:

I'm doing a piece on Skybolt. I hear

Macmillan's meeting with him in Nassau.

Kenny just sighs as they make their way up to the police car.

A Secret Service Agent opens the door for him, another is

behind the wheel.

KENNY:

We're giving the Brits Polaris instead.

But a story'll just aggravate things.

Scotty stares at Kenny, determined. Kenny looks away. And

his eye catches a tall, willowy BEAUTIFUL WOMAN. She is

talking, excited, embarrassed, to two more SECRET SERVICE

AGENTS. What they're saying is lost in the noise.

Scotty follows Kenny's gaze. Then the two men share a look,

a silent understanding. Kenny glances at the Secret Service

guy holding the car door, tilts his head at the woman.

KENNY (CONT'D)

Not today. He's got tight schedule.

The Agent nods, heads for the other Agents and the Beautiful

Woman. Scotty acts like nothing has happened.

RESTON:

Pretending there isn't a problem won't

fix it. He can clear the air on Anglo

American relations.

KENNY:

Forget it, Scotty.

RESTON:

Let him talk to me, he makes Macmillan

look good, I print it, the British

public likes it, Macmillan owes you.

The formula's exactly what Kenny wants to hear. He pretends

to consider, pretends to cave as he gets in the car.

KENNY:

All right, you're in. Half hour.

Reston's won. But so has Kenny, and he's made Scotty feel

tough in the bargain. People like Kenny.

INT. POLICE CAR - DAY

In the back seat, Kenny stares out the window at the parade

goers. The Secret Service Agents leave the Woman.

Disappointed, the Woman turns and vanishes into the crowd.

It's an eerie moment. Something troubles Kenny, and he

glances up at the sky. A premonition. But it's a clear,

clear blue. A day like this, all is right with the world...

SMASH CUT TO:

INT. NPIC - NIGHT

Six Interpreters huddle around IMAGES on a light table. One

of them shoulders his way into the group and THUMPS a black

BINDER on the table. There are grim nods of agreement.

Rate this script:0.0 / 0 votes

David Self

David Christopher Self (born January 8, 1970) is an American screenwriter best known as the author of the screenplays for the films The Haunting, Road to Perdition, and The Wolfman. more…

All David Self scripts | David Self Scripts

1 fan

Submitted by aviv on October 30, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Thirteen Days" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/thirteen_days_316>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Thirteen Days

    Browse Scripts.com

    Thirteen Days

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.