Thieves Like Us Page #3

Synopsis: Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in love along the way with a girl met at their hideout, the older man is a happy professional criminal with a romance of his own, the third is a fast lover and hard drinker fond of his work. The young lovers begin to move out of the sphere in which they have met, a last robbery in Yazoo City goes badly and puts paid to the gang once and for all as a profitable venture, but isn't the end of the story quite yet, as all three are wanted and notorious men with altogether different points of view on the situation they are faced with.
Genre: Crime, Drama, Romance
Director(s): Robert Altman
Production: United Artists
  1 win.
 
IMDB:
7.1
Rotten Tomatoes:
89%
R
Year:
1974
123 min
124 Views


You hear something?

Now what the hell?

They said three blinks.

I can't tell if that's going on

or off, or what it's doing.

I can't tell who that is.

Damn, I hate to let him go by.

Looks like another hungry night.

It's okay. I can rig myself up for anything.

Come on down here. Come on.

You and me are gonna

spend the night together.

You get to be my blanket. Come here.

Come on.

Oh, I'm sorry.

If them boys ain't back by daybreak,

though, I just got to go on in.

I can't help it.

I'm gonna go dingbatty waiting out here.

Hey, maybe you and me go in together.

Get us both something to eat.

(TRAIN WHISTLE BLOWING)

You see a snake, you let me know.

I don't like snakes.

(TRAIN APPROACHING)

(ROOSTER CROWING)

Howdy, friend.

What the hell did I do with them pliers?

Here.

I see you're working on your headlamp.

Listen, you got a cold Coke?

Over there in that box.

It'll cost you a nickel.

Yeah, well, thanks,

but I had one this morning.

You're Dee Mobley, ain't you?

Mmm-hmm.

Well, look, have you had

a couple of visitors here lately?

Them's new shoes. Your feet hurting you?

Doggone whistling.

One of them is, anyway.

Yeah. Got new pants on, too.

Yeah. I just got these uptown.

Where the hell you been?

Waiting for Chicamaw

and that T-Dub Masefield.

Well, I come driving

out there myself last night to get you.

Yeah. I recognize the truck now.

Yeah, it was me. That was me.

Can you beat that?

And I just let you go right on by.

Well, boys are up them steps there.

(KNOCKING ON DOOR)

Hey, Chicamaw, is that you?

Of course it ain't me. I'm here.

Chicamaw.

Where the hell you been, Bowie?

We thought you'd gone back to the farm.

I've just been sleeping under a train is all,

and thinking I was a lone wolf.

Where's that old T-Dub?

T- DUB:
Hey, hey, Bowie, come on in here.

I was gonna go back out there

and get you myself tonight.

Yeah. You wanna glom?

- Man, I'll say.

- Good.

You know,

we didn't get holed up in this place

till about 5:
00 this morning,

so I was gonna go back out

and pick you up tonight.

I don't know how the hell Dee missed you.

It was my own fault.

How's that?

Well, one of the headlamps

on that truck was shorted or something.

That thing blinked 50 times

if it blinked once.

I couldn't tell what was happening.

- How's your head?

- What are you talking about?

What's the matter with your head?

Well, look at his hair.

What's the matter with my hair?

He put some toilet water on his hair,

and the seat fell down,

hit him right in the head.

You guys are about half-crocked.

The seat fell down.

(ALL LAUGHING)

Here's you some Picayunes.

We're all out of Twenty Grands.

(WHISPERING) Damn it.

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Calder Willingham

Calder Baynard Willingham, Jr. (December 23, 1922 – February 19, 1995) was an American novelist and screenwriter. Before the age of thirty, after just three novels and a collection of short stories, The New Yorker was already describing Willingham as having “fathered modern black comedy,” his signature a dry, straight-faced humor, made funnier by its concealed comic intent. His work matured over six more novels, including Eternal Fire (1963), which Newsweek said “deserves a place among the dozen or so novels that must be mentioned if one is to speak of greatness in American fiction.” He had a significant career in cinema, too, with screenplay credits that include Paths of Glory (1957), The Graduate (1967) and Little Big Man (1970). more…

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Submitted on August 05, 2018

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