The Way We Were Page #2

Synopsis: The often unlikely joint lives of Katie Morosky and Hubbell Gardiner from the late 1930s to the late 1950s is presented, over which time, they are, in no particular order, strangers, acquaintances, friends, best friends, lovers and adversaries. The unlikely nature of their relationship is due to their fundamental differences, where she is Jewish and passionate about her political activism both in political freedoms and Marxism to an extreme where she takes life a little too seriously, while he is the golden boy WASP, being afforded the privileges in life because of his background but who on the most part is able to capitalize on those privileges. Their lives are shown in four general time periods, in chronological order when they attend the same college, their time in New York City during WWII, his life as a Hollywood screenwriter post-war, and his life as a writer for a New York based live television show. It is during college that Hubbell finds his voice in life as a writer, and that
Genre: Drama, Romance
Director(s): Sydney Pollack
Production: Sony Pictures Home Entertainment
  Won 2 Oscars. Another 5 wins & 7 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
63%
PG
Year:
1973
118 min
5,602 Views


I have to.

The story is due on Tuesday

and it's just gotta be good.

Look who's here,

America the beautiful.

How much do

you have in the treasury?

Five hundred 42 dollars

and 18 cents.

Possible themes

for the prom.

"Caribbean Holiday,"

"Jungle Fever"...

Hey, you should be

listening to this.

"Niagara Falls."

"Thirteen Colonies," "48 States."

"Thirteen Colonies," "48 States"...

J.J. J.J.

J.J., listen.

"The 48 States," "Starlight, Star Bright"

and "In My Merry Oldsmobile."

How about "Bread

Lines Can Be Fun"?

How about "The Stalin Shuffle"?

Ha-ha-ha.

What are we gonna have?

Hamburgers?

How about "The College Grad

Meets The Leningrad"?

She's a million laughs.

What do you want?

Coke.

What do you want?

Coca-Cola?

Coca-Cola.

Excuse me.

You're all decadent

and disgusting.

Come on,

we weren't making fun of you.

You make fun of everything.

You think politics is a joke.

You make fun of politicians.

What else can you do?

Think Franco's funny?

Franco? Is he here?

Yeah, Franco. He's a politician.

He's funny? Hitler has a funny

moustache. Why not have a Nazi prom?

Well, we thought of that,

but the uniforms itch.

Uh-huh...

Comes the revolution,

maybe we'll have a sense of humour.

Two burgers, two cheeseburgers,

four Cokes.

Onion?

Yeah, in the Cokes.

If I read comparatively few

of your stories aloud in class,

it's because I think we

learn best from what's good.

Or at least, talented.

Today I'm going to read,

with a great deal of pleasure,

a remarkably good story

from a surprising new source.

The name of the story is

"The All-American Smile."

And it's by Hubbell Gardiner.

"In a way, he was like

the country he lived in.

Everything came too easily to him,

but at least he knew it.

About once a month he worried

that he was a fraud.

But then most everyone he knew

was more fraudulent.

Sometimes he felt...

- There's really no reason

for us to change.

But of course by then,

they were too lost or too lazy.

It had always been too easy."

The trouble with some

people is they work too hard.

Are you speaking to me?

Want a beer?

I don't drink.

One sip. One sip of beer.

Well?

You carry your books all the time?

That's what I crossed the street for?

I'm celebrating.

What are you celebrating?

I got you to cross the street.

Listen, I'm sorry I, um...

I haven't told you that

I really liked your story.

You're a good writer.

Thank you.

Mrs. Simpson married the Duke

of Windsor. It's in tomorrow's paper.

How do you know that?

The papers aren't out yet.

I work in the Linotype room

two nights a week.

You never quit, do you?

Well,

thanks for getting me

across the street.

Hey.

Rate this script:3.0 / 1 vote

Arthur Laurents

Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions. His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977). more…

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Submitted on August 05, 2018

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