The Pride and the Passion Page #3

Synopsis: The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon, perhaps the largest in the world at that time, is discarded by the army as they retreat from the French invaders. A "ragtag" group of Spanish loyalists find "The Gun" and begin to restore it so they may tow it across Spain to the French stronghold in Avila and use it to open the giant walls for an invasion. Luckily Britain has sent someone to retrieve the cannon for England so they can have it to fight the French also AND to make sure that the French don't get the gun! A shoemaker and his voluptuous girl friend are the leaders of the peasants trying to get the gun to Avila. The Brit can't get help to get the giant gun back to his ship without the peasants and the shoemaker won't help him unless they all go blast Avila open first. The Brit has the knowledge needed to fire the weapon and the shoemaker
Director(s): Stanley Kramer
Production: United Artists
  1 nomination.
 
IMDB:
5.7
Rotten Tomatoes:
14%
Year:
1957
132 min
456 Views


he'll hang if you never get to vila?

There are thousands expecting the gun.

I cannot wait.

I want no part of it.

If we fail, Captain, then you can

pull the gun to Santander by yourself.

The Duke of Wellington.

Captain, there are some things

you cannot change.

- And Miguel is one of them.

- That's unfortunate for all of us.

- You are taking no part in this, are you?

- I have no desire to commit suicide.

Listen to me. I know Miguel is difficult.

He's stubborn...

That's an understatement,

if I've ever heard one.

Nobody knows him better than I.

But you, you act as if you were

on the deck of a ship.

Miguel has never seen one. He is fighting

the only way he knows, as a guerrillero.

- You think he's right, don't you?

- All of us do.

But even if he's wrong,

we will go with him.

I hope you will too.

Why?

Captain, I have an idea

you'd like to act more like a man

than a cold piece of English mutton.

We are ready.

You stay here with Maria and him.

I'll need five men.

- For what?

- To get their powder.

Get him the men.

Guerrilleros! Guerrilleros!

Get these powder kegs away from here.

Come on! Come on! Quickly! Quickly!

Quickly.

Out! Out!

It's going! Jump! Jump!

Je ne fais pas partie de I'tat-major.

Je n'ai aucune information.

He's a field officer, not a staff man.

He doesn't know.

Tell him to search his memory, quickly.

Essayez de vous souvenir, vite.

Je n'ai rien dire. Je suis prt.

(gunshot)

Dites-leur ce qu'ils veulent savoir.

Vous pouvez sauver votre vie.

- What did you say?

- I'm trying to stop you murdering him.

I told him to talk. Allez, parlez.

Je vous jure qu'il n'y a

aucune formation entre ici et vila.

J'ai une famille, et je ne veux pas mourir.

He swears there's nothing between

here and vila. He doesn't want to die.

They were lying.

I'm surprised you bother to wash your

hands. That kind of blood won't come off.

- So?

- I refuse to watch cold-blooded murder.

Then do not watch. Stay out of the way.

You interfere too much.

- If not for that cannon, I...

- You would do what?

- I'd leave and let you fire it yourself.

- Then leave. We do not need you.

- You know I have my orders.

- This is my order.

Leave, Captain, or the next

cold-blooded murder will be yours.

You're insane.

There's a British ship in the harbour

at Las Cruces. Get on it. Go!

All right, I'll go tonight.

Go now, Captain.

I hope you're satisfied.

The British won't get the gun, he can't

fire it, so that's the end of your vila.

- He's still going there.

- Then he's a fool.

And I am going with him.

You can't understand that, can you?

It's none of my affair now.

You won't understand this either, Captain.

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Edna Anhalt

Together with then husband Edward Anhalt, screenwriter Edna Anhalt (April 10, 1914 – 1987) enjoyed some considerable success in a ten-year stretch from 1947 to her retirement in 1957. This stretch was capped with an Oscar win for Elia Kazan's 1950 film Panic in the Streets, and another nomination two years later for The Sniper. She also wrote the screenplays to The Member of the Wedding (1952), Not as a Stranger (1955) and The Pride and the Passion (1957), before hanging up her pen after her divorce. more…

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Submitted on August 05, 2018

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