The Loves of Carmen Page #2

Synopsis: Following the plot of the opera, "Carmen," this story follows the wild gypsy's adventures as a siren and bandit. Carmen lures an innocent soldier to his ruin, getting him expelled from the army. He then turns to banditry, killing Carmen's husband and others. All this makes for an unhappy ending with the innocent repenting his sins and dying for them.
Director(s): Charles Vidor
Production: Fox Film Corporation
 
IMDB:
6.4
Year:
1948
99 min
147 Views


I don't know why I bother with that girl.

She's bad all the way through.

She lies as easily

as other people drink water.

She is a liar, a thief and a cheat,

has no more manners

than my great aunt's cat.

She's really awful.

But I'd sell my soul to hear her say

just once she loves me.

- Dirty gypsy trash!

- She is a disgrace to the town.

She laughed at my wedding

and made dirty remarks at my Manuelito.

- Did you see what she did?

- See what she's done to the milk!

I spit in your milk

and the milk of your old turtle of a mother,

and at the poor excuse of a woman

who married Manuelito.

Who did he marry? Me! Not you.

Gypsy garbage. Nobody would.

Out of the way. Out of the way.

What's going on here?

I'm dying. She killed me.

Bring a priest, I beg you, bring a priest.

I am dying!

What happened?

Quiet!

-It was the gypsy.

- She done it! I see her do it!

- Call the guard!

- Yes, sir.

Look, look at my face. She cut me.

I didn't say a word, and she cut me.

- I am dead! I am dying!

- Get her to the doctor.

May all your children be squint-eyed females

and may they all grow up

to swing from the gallows!

Now then. What started all this?

Quiet!

They called each other names

until I thought my ears would drop off,

and then that one took a knife

from her stocking and zip zap.

Don't believe a word they say.

All these filthy people are against me.

Guard!

Haul her. Take the gypsy to the magistrate.

She almost cut that woman's head off.

I hold you responsible.

Yes, sir.

I'm ready to go now, soldier.

Please take me away from here.

Where are you taking me, sefior e! Navarrs?

- To the magistrate.

- To the magistrate?

He will send me to prison.

I can't go to prison.

A gypsy dies in prison,

and I have no money for a bribe.

In this city, you rot in prison

without money for a bribe.

I know. Believe me, I know. I have a friend

who's in prison right this very minute.

That's why I'm here in Seville,

working my fingers to the bone

to get enough money

for a bribe to get him out.

I'm not afraid of hard work.

I'm a good, honest, working girl.

But who would take care of me

if I ever fell into prison?

Nobody cares about me.

I'm all alone in the world. All alone.

He pinched me.

I was walking along so obediently,

and he pinched me in a most vulgar way.

- She lies! I didn't touch her.

- Fall back. You, walk with the other.

Now this one.

Is there no protection against the advances

of these filthy conscripts?

I did not...

Look, little soldier,

what a good street this is.

I could give you a little shove,

and you could fall down,

and I could get away,

and nobody would catch me.

I'd be gone before those stupid Andalusians

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Helen Deutsch

Helen Deutsch (21 March 1906 – 15 March 1992) was an American screenwriter, journalist and songwriter. Deutsch was born in New York City and graduated from Barnard College. She began her career by managing the Provincetown Players. She then wrote theatre reviews for the New York Herald-Tribune and the New York Times as well as working in the press department of the Theatre Guild. Her first screenplay was for The Seventh Cross (1944). She adapted Enid Bagnold's novel, National Velvet into a screenplay which became a famous film (1944) starring Elizabeth Taylor. After writing a few films (Golden Earrings (1947), The Loves of Carmen (1948) and Shockproof (1949) ) for Paramount and Columbia Pictures, she spent the greater part of her career working for Metro-Goldwyn-Mayer and wrote the screenplays for such films as King Solomon's Mines (1950), Kim (1950), It's a Big Country (1951), Plymouth Adventure (1952), Lili (1953), Flame and the Flesh (1954), The Glass Slipper (1955), I'll Cry Tomorrow (1955), Forever, Darling (1956) and The Unsinkable Molly Brown (1964). Her last screenplay was for 20th Century Fox's Valley of the Dolls (1967). more…

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Submitted on August 05, 2018

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