The Last Samurai Page #4
GANT:
...Saw your little melodrama today.
Very inspiring...
ALGREN:
Given up soldiering to become a
critic?
Gant smiles and shakes his head.
GANT:
Got a job for you, unless you're
running for office...
ALGREN:
I have I job.
GANT:
I mean a real job. Back in uniform.
ALGREN:
I' m retired.
GANT:
I don't mean a U.S. uniform.
Algren looks at him. Curious despite himself.
INT. RESTAURANT - NIGHT
Gant leads Algren into a lush San Francisco restaurant.
Flickering gaslight and trays of lobster. COLONEL BENJAMIN
BAGLEY (whom we saw in flashback) sits with the three Japanese
men. Bagley's hair has greyed. He has his eye on a political
future.
BAGLEY:
Nathan, good to see you.
ALGREN:
(stunned)
Colonel Bagley...
BAGLEY:
Sit down. This is Mr. Omura, from
Japan, and his two associates who,
so far as I can tell, don't have
names...
OMURA 40, is a handsome and intelligent man. He watches Algren
closely as Algren pours a glass or whiskey from a decanter.
BAGLEY:
They're looking to hire real American
soldiers to create the first Japanese
Imperial Army.
Algren looks at him.
BAGLEY:
Japan's got it in mind to become a
civilized country and they're willing
to spend what it takes to hire white
experts to do the job right.
Algren takes a slow lip of whiskey.
BAGLEY:
Sergeant Gant has already agreed to
serve. You would be my second-in-
command.
ALGREN:
With approval from Washington, of
course.
BAGLEY:
Both governments prefer to consider
our mission unofficial. We'd be there
as non-combatants only, advisors to
the Japanese officers. Help them
with training, ordinance and the
like.
GANT:
You ought to think about it, Captain.
Unless you intend to take up a career
in the theater.
ALGREN:
I have an agreement with the
Winchester Corporation -- I'm sure
these people have some concept of
what an agreement is.
Omura suddenly speaks. His English is flawless.
OMURA:
You are paid seven dollars for each
performance. You do, on average,
fourteen performances a year. We
will pay you 400 dollars.
ALGREN:
A year?
OMURA:
A month.
Algren looks at him. The figure, in 1876, is staggering.
A steamship chums its way across the great Pacific. Algren
leans on the ship's rail and looks out into an endless
procession of waves.
ALGREN (V.O.)
June 23, 1876. It is impossible,
standing here, not to appreciate
one's, own insignificance.
A dolphin crests the surface, arcing into the air.
ALGREN (V.O.)
Here there is neither past, nor
future. Only an oblivion of water.
In his tiny cabin, Algren finishes writing in his journal
and takes out a daguerreotype of a HAUNTINGLY BEAUTIFUL BLOND
WOMAN.
ALGREN (V.O.)
And yet I ask myself, will the dead
follow me across the ocean to this
strange new land?
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