The Gazebo Page #2

Synopsis: Television writer and director Elliott Nash and his wife Nell have a happy marriage. One day a blackmailer informs Elliott that he has nude photos of his wife Nell, taken when she was only 18 years old. The blackmailer, a certain Dan Shelby, threatens to ruin Nell's reputation and her Broadway stage career if Elliott refuses to pay a ransom. Elliott agrees to pay the blackmailer but the demands increase and Elliott becomes a nervous wreck and a workaholic in his attempt to earn more money for the blackmailer. Elliott even considers selling his house in order to raise the 25 thousand dollars the blackmailer demands. Nell is unaware of the blackmail scheme and often worries about Elliott's state of mind. In desperation, Elliott decides to lure the blackmailer to Elliott's home for a large final payment and kill him. But Elliott is no killer and his planning for the imminent premeditated murder is amateurish at best.
Director(s): George Marshall
Production: Warner Home Video
 
IMDB:
6.9
NOT RATED
Year:
1959
100 min
Website
251 Views


And on Friday,

we'll have the party.

Your 550th play with

your comrades in costumes.

Antoine, you're a genius.

Thank you, darling.

I'll get ready.

Antoine?

Where are you?

-I'm coming.

I'm coming down.

What were you doing in the garden?

-It's for my new piece.

Are you coming to the theatre?

-I can't.

Do you mind?

-No, I'll let you work.

I have to go, or I'll be late.

-Say, Sylvie.

Yes,

-Tell me, if someone...

...ends our love or

if we have to separate...

We won't, my angel.

Promise me we'll die together,

my dearest Sylvie.

But of course. You're so serious.

Is it because of the new piece?

Maybe, the detective genre isn't...

-You can do it. You'll see.

And when I come home tonight,

I'm sure there'll be a corpse.

The digging has been done,

the maid left... the doors...

Four:
get a gun ready.

Four:
a gun... alright.

Five:
turn off the lights.

Six:
I can't see anything.

We should have put this at seven.

What are you doing in the dark?

-What do you mean?

Don't you feel well?

-I feel very well.

I'm very late.

I forgot my make-up.

Sylvie, did I give you a kiss?

You did. Do you want

to give me another one?

I do, actually.

Aren't you forgetting anything?

You won't be back?

-I don't think so.

Bye, cupcake.

-Bye, sweetie pie.

I can't...

I can't do it.

I'd rather pay.

I can't do it. There.

Oh no! Oh no!

Oh no, it's not for real.

It's not for real, come on.

You're still working.

-Didn't you go to the cinema?

I was just leaving.

A prop gun.

Good evening, Mr Colas.

Have fun.

Mr Brisebard?

Something terrible happened.

Oh my God!

Mr Brisebard?

You were here?

What are you doing here?

I was working.

-In that costume?

Didn't you hear me?

-No.

It's very bad. Mrs Grunder

fell into the hole.

What's she doing in my hole?

I need my hole.

Why did she fall in?

What?

I don't understand.

Give her a cognac.

It'll do her well.

Mr Brisebard?

Yes?

-Can I give a tour?

No, we don't give tours.

It's over. Just go.

Go, quickly!

I look like a fool.

-Don't force me to comment.

Good.

Bye, madam.

-Bye, Mr Brisebard.

A bit of cognac.

You forgot Mrs Grunder.

You forgot Mrs Grunder.

She's there.

Look, look.

My cognac...

Come, let's go sleep.

Ah, it's you.

Am I interrupting?

-Lights out.

Listen, I can't see anything.

-We have to.

Where are you?

-Here, under the lamp.

No, under the lamp.

-Ah!

What's with the costume?

-I had a look at the foundation.

We've been thinking the same thing.

I found something wrong with it.

What did you see?

-They made a hole in own my hole.

A hole?

-A hole!

But where?

-In my own hole.

I say.

-And not a small hole.

A big hole.

Big enough for a corpse.

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George Wells

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Submitted on August 05, 2018

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