The Bourne Identity Page #4
INT. THE FISHING BOAT BUNK ROOM -- SAME TIME
THE MAN buttoning up borrowed clothes. GIANCARLO pulling
some cash from his pocket --
GIANCARLO:
(offering the money)
It's not much, but it should get
you to Switzerland.
THE MAN:
I won't forget this.
GIANCARLO gives him a look. Shakes his head, and --
INT. POKEY ITALIAN TRAIN STATION -- DAY
The ticket window. THE MAN and a TICKET AGENT.
TICKET AGENT:
Una sola via?
THE MAN:
Si. One way. Una sola via.
EXT. TGV -- DAY
A HELICOPTER SHOT -- a bullet train speeds through snow-
capped Alps. We move in on a window -- and staring out is...
...THE MAN. People all around him -- families --
businessmen -- normal people going about their lives. THE
MAN turns back to the window, but he's not watching the
scenery -- he's looking at his reflection. So lost. His
face suddenly plunged into darkness as the train bombs into
a tunnel...
EXT. TRAIN -- NIGHT
...and out of the darkness into night and the HELICOPTER
SHOT, as the train races toward ZURICH.
INT. CIA HEADQUARTERS CONFERENCE ROOM -- DAY
A VIDEO MONITOR -- FULL FRAME -- meet WOMBOSI. He's an
African ex-dictator, think Idi Amin crossed with Mobutu.
He's in some sort of throne room. And he's angry.
Bodyguards and a translator hovering nervously around him.
What this is, is NEWS FOOTAGE -- an interview conducted by a
German TV station.
WOMBOSI:
(he speaks english)
...no, no, no -- the time is not
right, my enemies are too strong.
I'm telling you to wait for this,
you understand? I'm telling you
this, and I'm making a warning to
all those peoples out there that
think that my powers have become so
weak that they can play with me as
they wish. You will see -- I will
tell you when the evidence is clear.
Then you will have a story. My old
friends will hear about themselves.
(stopping, freezing
on that image, and--)
MARSHALL, a CIA bigwig has the remote control. And the floor.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Bourne Identity" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/the_bourne_identity_250>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In