Tarzan 2 Page #2

Synopsis: Set back when Tarzan was just a boy, this is the story of Tarzan's journey to self-discovery. When Tarzan begins to see that he is not like the other gorillas, his mother Kala assures him that these slight differences only make him stronger. But when these differences put Kala in danger, he decides everyone would be better off without him and runs away. He then finds himself in a dark desolate land called Dark Mountain where he meets a new friend who helps him discover that even though he does not possess the talents of an ape, he has his own unique set of jungle skills that make him even more amazing than any other creature so that he can finally see who he truly is.
Director(s): Brian Smith
Production: Disney Toon Studios
  3 wins & 10 nominations.
 
IMDB:
5.6
Rotten Tomatoes:
33%
G
Year:
2005
72 min
Website
1,106 Views


makes Mama...

...very unhappy!

Do we understand Mama?

Yes, ma'am.

What is all this silliness

about a baby bird?

I'm not a bird. I'm an ape.

- An ape!

- Like you.

Can we still

throw it off a cliff?

If you are an ape,

where's your family?

How did you get here?

You must have come

through that rift.

It's the only way in.

Besides falling in.

I tripped. I was trying

to get away from the monster.

- We all were, dear.

- Monster?

It guards the rift,

just waiting.

And if it catches you,

they say it'll eat you.

They call it...

- Don't say it, Ma.

- I'm not listening.

I don't hear this.

...the Zugor.

But there's no such thing

as the...

Zugor!

It's coming.

The Zugor!

Zugor!

It's the Zugor!

Run, it's the Zugor!

My tree. Stay out.

- But you've gotta let me...

- No. Go away.

- Please!

- No.

If I stay out here

the Zugor might get me.

Boo-hoo for you.

You've got to help me.

You've got to.

Mom?

Okay, my babies.

There we go, climb in.

It's been another big day

for my two little boys, hasn't it?

The Zugor scared us, Ma.

Oh, I know, dear.

- Didn't scare me.

- Did too.

- Did not.

- Did too.

Did not.

- Ma?

- Yes, dear?

- Tell us a story.

- All right.

If I tell you a story,

will you go to sleep for Mama?

Yes, ma'am.

Well, then, let's see.

All right. Once upon a time,

there was a family of three...

...oh, I don't know, three...

- Silly little froggies?

- All right, dear.

Once upon a time, there was

a family of three little frogs.

One of them

was a tiny bit dim...

- Which one?

- One was a teensy bit violent.

I like that one.

And some might say

the mama was just a tad controlling...

...but I disagree.

Do alligators eat the frogs?

Oh, no. Don't let

the froggies get eaten.

Have them fly away.

It's all right, Uto.

They don't get eaten.

But the three little frogs

were all alone

in a great big world,

hopping from pond to pond.

Hippety-hop.

Just trying to find somewhere

where they'd be wanted.

But every place they went,

they were kicked out.

Maybe the frogs need

to smash some heads, Ma!

The frogs ended up

in a horrible valley,

terrorized by a monster,

with next to nothing

to eat or drink

and only pointy rocks

to sleep on!

- So...

- Huh?

...tomorrow she's gonna

find her froggies a new home.

And this time, anyone who

gets in her way is gonna feel

the terrible wrath

of Mama Frog!

Mom, I broke my pillow...

...again.

Tarzan?

Mom!

Ouch.

Zugor!

Zugor!

Zugor!

The Zugor?

I don't believe it.

- Hi, Zugor.

- Hello.

You are the Zugor, aren't you?

- No, I'm not.

- Sure you are. I saw you.

- No, you didn't.

- You scared off that rhino

so you could get this fruit.

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Jim Kammerud

Jim Kammerud (born 1960) is an American director, writer, producer and animator, best known for his work with the Walt Disney Company. Kammerud attended the Ohio State University in the mid-1980s. There he developed his cartooning style by working as an editorial cartoonist, as well as creating the comic strip "It's Working", for The Lantern, the University's student newspaper. Also on staff at The Lantern at the time was Jeff Smith, later known for the comic book Bone. After college, while still living in Columbus, Ohio, Kammerud and Smith formed the Character Builders animation studio. There, Kammerud began working on Rover Dangerfield and worked as an animator and storyboard artist for Bébé's Kids as well as Space Jam. He became involved with Disney as sequence director for the additional animation in Pocahontas II: Journey to a New World and later joined to direct and design the new characters in The Little Mermaid II: Return to the Sea. His next film as director was 101 Dalmatians II: Patch's London Adventure, when he also worked on part of the screenplay. His second film where he worked on the screenplay was Tarzan II, in addition to producing the film, and his most recent project, The Fox and the Hound 2 is his first film without co-direction from Brian Smith. He also worked on The Aristocats II, which has since been shelved after the decision to drastically reduce the number of direct-to-video sequels made by Disney. He has also done storyboards for many non-Disney animated films with Toronto-based animation/animatic studio House of Cool, including Gnomeo & Juliet, Ice Age: Continental Drift, Escape from Planet Earth, Epic, The Nut Job and Rio 2. In 2009, Kammerud was featured in The Cartoonist, a documentary film on the life and work of Jeff Smith, creator of Bone. more…

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Submitted on August 05, 2018

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