Shoot The Moon Page #2

Synopsis: A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He's preoccupied with a career and a mistress, she with a career and caring for four young children. While they attempt to go their separate ways, jealousy and bitterness reconnect them.
Genre: Drama
Director(s): Alan Parker
Production: Warner Home Video
  Nominated for 2 Golden Globes. Another 5 nominations.
 
IMDB:
7.0
Rotten Tomatoes:
80%
R
Year:
1982
124 min
431 Views


That's good.

That means they're coming out.

Jill, I want you to find your ballet slippers

'cause you got class tomorrow.

And, Molly, if you're gonna stay up,

you clean out that closet,

and you throw all that horrible underwear

in the wash.

If the plumber calls, be sure and tell him

that there's a leak

in the washing machine, okay?

Okay. And don't worry, Mom,

I'll take care of everything, okay?

Mom, is everybody...

- I'm always late.

- Mom, your face is pretty.

That's right. My face?

You guys,

why don't you just be quiet now?

You're gonna drive me crazy.

- I love your haircut.

- Thanks.

- Your bowtie's a little bit too skinny.

- No, it isn't. It belonged to Grandpa.

- It's a real one? Not a clip-on?

- Yes. I tied it myself.

Bye-bye. Bye-bye, darling.

And you really do look nice, Mom.

- I do look nice? Yeah.

- Oh, okay.

- All right. Be good now.

- Bye. Bye now.

Okay, goodbye, Dad. Bye, Mom! Bye!

Bye, Dad. Bye! Bye! Bye!

- She didn't look so bad, after all.

- I wonder what time the show...

Goddamn things.

I could shoot Tony Bennett.

This city could die from quaint.

That was a joke.

Not funny, huh?

I'd forgotten you'd stopped laughing.

Are you gonna

help me through this tonight or not?

Oh, Jesus,

will you look at all these people?

I knew I should have cleaned up this car.

- Faith, are you with me?

- Huh?

It's your night, George.

Try to smile, will you? There's Willard.

- Hi.

- Hello, George. Hello, Faith.

Hello. How are you? Where's Isabel?

She's inside already. Okay, George.

This is Scott Gruber

from Manning Publicity.

Congratulations on a super book,

Mr. Dunlap.

- What's all this, Willard?

- A little glamour, George.

A little icing on the cake,

a little pizzazz, a little hype.

Books are show business, too,

and, well, we do have the winner here.

Yeah, well, don't count your chickens.

He hasn't won yet.

- This must be the Mrs.

- Yes.

- Scott Gruber, publicity.

- Faith Dunlap.

I love the belt.

- Oh.

- Yeah.

- Okay, now, listen, here is how it goes.

- Here's how what goes?

- Patience, George.

- I want you to turn around...

Can I call you George?

George, turn around.

I want you to go back

to the head of the carpet,

and I want you to do

that walk-in again, okay?

What are you talking about?

From the top, you're gonna love it, really.

- Just try it, George. Do what he says.

- It's so phony.

We're gonna do a good publicity thing...

- For God's sake, smile.

- I am. I'm smiling.

This is George Dunlap.

The Court Game. Willoughby House.

That's Dunlap. Dunlap with an "A".

- And you are?

- That's George Dunlap and friend.

No, no, I'm not his friend. No, I'm his wife.

- Sorry.

Rate this script:0.0 / 0 votes

Bo Goldman

There are but a few select screenwriters who are spoken of with the kind of reverence usually reserved for film Directors - Robert Towne, Alvin Sargent and Bo Goldman. Goldman is a screenwriter's screenwriter, and one of the most honored in motion picture history. The recipient of two Academy Awards, a New York Film Critics Award, two Writers Guild Awards, three Golden Globes, additional Academy Award and Writers Guild nominations and, ultimately, the Guild's life achievement Award - The Laurel. Born in New York City, Goldman was educated at Exeter and Princeton where he wrote, produced, composed the lyrics and was president of the famed Triangle show, a proving ground for James Stewart and director Joshua Logan. On graduation, he went directly to Broadway as the lyricist for "First Impressions", based on Jane Austen's "Pride and Prejudice", produced by composer Jule Styne and directed by Abe Burrows, starring Hermione Gingold, Polly Bergen and Farley Granger. Moving into television, Goldman was mentored by the redoubtable Fred Coe (the "D.W. Griffith of dramatic television") and became part of the twilight of The Golden Age, associate producing and script editing Coe's prestigious Playhouse 90 (1956)'s, "The Days of Wine and Roses", "A Plot to Kill Stalin" and Horton Foote's "Old Man". Goldman went on to himself produce and write for Public Television on the award-winning NET Playhouse. During this period, Goldman first tried his hand at screen-writing, resulting in an early version of Shoot the Moon (1982) which stirred the interest of Hollywood and became his calling card. After reading Shoot the Moon (1982), Milos Forman asked Goldman to write the screenplay for One Flew Over the Cuckoo's Nest (1975). Goldman's first produced film won all five top Academy Awards including Best Screenplay for Goldman. "Cuckoo's Nest" was the first film to win the top five awards since Frank Capra's It Happened One Night (1934). Goldman also received the Writers Guild Award and the Golden Globe Award for his work on the film. He next wrote The Rose (1979), which was nominated for four Academy Awards, followed by his original screenplay, Melvin and Howard (1980), which garnered Goldman his second Oscar, second Writers Guild Award and the New York Film Critics Circle Award for Screenplay of the Year. Goldman's first screenplay, Shoot the Moon (1982), that started it all, was then filmed by Alan Parker, starring Diane Keaton and Albert Finney, the film received international acclaim and was embraced by America's most respected film critics including Pauline Kael and Richard Schickel. For Shoot the Moon (1982), Goldman earned his third Writers Guild nomination. Over the next few years, he contributed uncredited work to countless scripts, including Milos Forman's Ragtime (1981), starring James Cagney and Donald O'Connor, The Flamingo Kid (1984), starring Matt Dillon, and Warren Beatty's Dick Tracy (1990). Goldman tried his hand at directing an adaptation of Susan Minot's novel "Monkeys", and a re-imagining of Ingmar Bergman's Wild Strawberries (1957) (aka "Wild Strawberries") as a vehicle for Gregory Peck, but for budgetary and scheduling reasons, both movies lost their start dates. Goldman returned solely to screen-writing with Scent of a Woman (1992), starring Al Pacino. Goldman was honored with his third Academy Award nomination and his third Golden Globe Award. He followed this with Harold Becker's City Hall (1996), starring Al Pacino and John Cusack, and then co-wrote Meet Joe Black (1998), starring Brad Pitt and Anthony Hopkins. More recently, Goldman did a page one uncredited rewrite of The Perfect Storm (2000). It was Goldman's script that green lit the movie at Warner Bros. and convinced George Clooney to star in the film, which went on to earn $327,000,000. In 2005, he helped prepare the shooting script for Milos Forman's Goya's Ghosts (2006), produced by Saul Zaentz and starring Natalie Portman and Javier Bardem. He wrote a script for a remake of Jules Dassin's Rififi (1955) (aka Rififi), for director Harold Becker, starring Al Pacino. Goldman is married to Mab Ashforth, and is the father of six children, seven grandchildren and one great grandchild. He resides in Rockville, Maine. more…

All Bo Goldman scripts | Bo Goldman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Shoot The Moon" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/shoot_the_moon_18030>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Shoot The Moon

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.