Samurai Wolf Page #2

Synopsis: A charismatic ronin gets snared into a conflict between officials at a waystation, and gains the enmity of a group of thugs.
 
IMDB:
7.2
Year:
1966
75 min
28 Views


We'll take care of the money.

The Furious Wolf, is he still here?

I don't know.

I think he must still be around.

You kept my flower.

My name is Okinu.

Who are you waiting for in this relay?

You threw me this flower

to find out who was hiding under the hat.

I guessed right, didn't I?

Is it the one you love?

I'm waiting for...

the man who destroyed my life.

I'm sure he will come.

I'll wait for him as long as necessary.

What determination!

I wanted to tell you...

I don't have any money.

I'm broke.

It's not a problem.

Men like you earn money easily.

Also, when I'm with you,

she leaves me alone and I'm happy about it.

Who are you talking about?

Ohide, my boss.

This fat sow is only a peasant

but she thinks she's better than others.

What's going on?

Sir Wolf!

Nice move...

He killed our chief.

What shall we do?

He's allied with the blind widow.

Let's attack him!

He's strong but if we surround him...

Right, chief?

He's a demon.

Only the Devil could defeat him.

The Devil?

I'll go look for him to the end of hell.

You are fearsome.

But you should stay alert.

It's you who forced me to take a bath.

Besides them, I don't fear anyone.

I'm going to wash you, sir Wolf.

But...

I'm blind.

Yes, but...

Alright.

I have a better sense of smell

than ordinary people.

I'm sorry to tell you,

but you smell really bad.

It's normal, I haven't taken a

bath since a year.

That's horrible...

Do you intend to ask me

to stay for some time?

Please do.

To deliver without risk

the 30000 ryos to Imagawa's relay,

we need your talent.

I can only trust you,

sir Wolf.

I refuse.

But...

I've got nothing to do with that.

I can't risk my life for people

I don't know.

You will be generously rewarded.

What would you say about 50 ryos?

Do you still refuse?

If you want it...

my body is yours.

Stop.

You're a good man.

Why?

I can feel it. You pretend to be bad.

You want people to think you're a tough guy.

Am I wrong?

Boss!

Boss!

He's coming!

Boss, he's coming!

It's the only road for Arai relay

- I'm going to warn Oryu.

- Wait!

- We'll handle him alone.

- But...

He killed six of our men,

including our chief.

We can't let him go unpunished.

Go!

What are you waiting for?

Here he comes!

Are you kidding me?

He left everything in a mess

and without paying.

B*tch!

And you're sleeping as if nothing happened.

You had it coming.

Pick up the droppings while you're here.

Is Nizaemon here?

Who are you?

Sanai Akizuki.

Iwazo sends me.

What are you waiting for?

Prepare some water for his feet.

Iwazo told me a lot about you.

I've heard you're worth a hundred men.

Bring something to drink quick.

I don't drink alcohol.

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Hideo Gosha

Hideo Gosha (五社 英雄, Gosha Hideo, February 26, 1929 – August 30, 1992) was a Japanese film director. Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meiji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara Three Outlaw Samurai, so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are Goyokin and Hitokiri (also known as Tenchu), both released in 1969 and both considered to be two of the finest examples of the chambara genre. During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as The Wolves (1971 film) (1972), Bandits vs. Samurai Squadron (1978), and Hunter in the Dark (1979). His films Three Outlaw Samurai and Sword of the Beast (1965) have been released by Criterion.By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for The Geisha.Gosha’s films have influenced directors including Chang Cheh, Takashi Miike, and Yoshiaki Kawajiri. more…

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Submitted on August 05, 2018

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