Salome's Last Dance Page #2

Synopsis: Set in France Oscar Wilde (so it appears) visits a local theatre and is surprised by their retelling of his own work ""Salome'" the story line then digresses in to a VERY twisted portrayal of his work preformed by the local brothel and what can only be described as rejects from the local community theatre. Just when you think it's hit rock bottom it reaches for a new low you didn't think possible and begins to dig add and yet the music continues to dig this in to an ever deepening pit from which you will never get your time back.
Director(s): Ken Russell
Production: Lionsgate
 
IMDB:
6.7
Rotten Tomatoes:
50%
R
Year:
1988
89 min
290 Views


Like a woman rising from a grave,

she looks like a dead woman

seeking out the dead.

She looks strange!

She looks like a princess

in a yellow veil with silver feet!

She looks like a princess who

has feet like little white doves.

She could be dance!

She is like a dead woman!

She moves very slowly.

What a din!

Who are those wild howling beasts?

The Jews. They're always like that.

They are discussing their religion!

Why are they discussing their religion?

- I don't know, they're always at it!

The Pharisees say there are angels,

the Saducees say they don't exist!

I think it's ridiculous to argue

about such things.

How beautiful the Princess

Salome looks tonight!

You're always looking at her.

You look at her too often.

You mustn't look at people like that..

Something terrible could happen!

She is very beautiful tonight.

Tetrarch looks glum.

Yes, he is looking glum!

He's looking at something.

- He's looking at someone!

Who's he looking at?

I don't know!

How pale the princess is!

Never have I seen her so pale!

She looks like the reflection

of a white rose in a silver mirror!

You mustn't look at her!

You look at her too much!

Herodias has poured

the Tetrarch a drink.

Is Herodias the one with the red eyes,

the ruby lips, the ruby hips

and the red rubies!

Yes, that's Herodias!

She's the wife of the Tetrarch.

The Tetrarch loves wine.

He keeps three kinds:

One which comes from

the island of Samothrace..

is as purple as Caesar's cloak.

Ah, Caesar! I've never had the pleasure!

Another from the city of Chipra

is as yellow as gold!

Gold!

I love gold!

And a third, which is a Sicilian wine,

that one is as red as blood!

The gods of my country love blood.

Twice a year, we sacrifice youths

and virgins to 'em..

50 youths and a 100 virgins.

But it seems we never give 'em enough!

because they still persecute us.

In my country, there aren't any gods

now! The Romans chased them out!

There are those who say they hid in the

mountains, but I don't believe it!

I spent three nights in the hills,

looking everywhere..

but I didn't find them!

Finally, I called upon each one by name!

But they didn't appear.

I think..

they are dead!

The Jews worship a god they can't see!

Really? - In fact, they only

worship things they can't see.

Ridiculous!

After me, will come one

even more mighty!

Sometimes, he says fearful things

but we never understand him!

Can we see him?

Nooooooo! The Tetrarch forbids it!

What a bizarre prison!

It's an old well.

An old well? It must be very unhealthy.

Take the brother of the

Tetrarch, his elder brother,

Queen Herodias' first husband.

He was incarcerated down there

for 12 years and he didn't die!

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Oscar Wilde

Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while The Importance of Being Earnest (1895) was still being performed in London, Wilde had the Marquess of Queensberry prosecuted for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with men. After two more trials he was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison, he wrote De Profundis (published posthumously in 1905), a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of 46. more…

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