Riptide Page #3

Synopsis: Park Avenue party-girl Mary (Norma Shearer) and staid English nobleman, Lord Phillip Rexford (Herbert Marshall) are married on a lark, they live happily in London. He must travel to America on business leaving her home alone. Lord Rexford's aunt invites Mary on a trip to the Riviera where she runs into an old flame, Tommie Treal (Robert Montgomery). Under the spell of the sea breezes and the Mediterranean moon (a semi-excuse for adultery to keep Queen Norma's image clean, as this was a post-Production Code film), Mary is the "innocent" victim of a romantic escapade that makes headlines as well as the scandal sheets. None of Mary's explanations can soothe Lord Phillip, his cold indifference drives Mary, who fights against it (a minor and feeble struggle at best), closer to Tommie. As the two lovers surrender to their ardor, Lord R. learns from his lawyer that Mary had been telling the truth, and he calls for her to join him in Cannes with a clean slate. O.K, but as Chief White Eagle tol
Genre: Drama, Romance
Director(s): Edmund Goulding
Production: Warner Bros.
 
IMDB:
6.5
PASSED
Year:
1934
92 min
174 Views


Tell me, why did I ever come back ?

We'll go to the Riviera tomorrow.

And you told me to close the Villa.

And I closed it.

Very well, then it stays closed.

We can go to the Carlton Hotel.

Now understand, tomorrow morning we start.

Oh, I've got a pain.

It's the lobster.

Not at all. It's not in my tummy, it's in my heart.

It's because you're so cruel to me, Bertie.

David !

Yes, Mary.

Is the captain on th bridge ?

Yes, he is.

What are the chances ?

Very slim, I'm afraid.

Did you put in a word for me.

My dear, I'm only a secretary.

I'm only a wife.

You know how he is when his mind's made up.

I've never known him

when his mind isn't made up.

Bad as all that ?

Not so bad but very stubborn.

Here goes for a good row.

Never known him to.

What ?

Row.

Here's one now.

Am I accompanying my husband

to America or am I not ?

Not, I'm sad to say.

Oh, darling.

Five years and we haven't been apart a week.

And now just because someone you work for says no women,

as though women were trunks or something...

Oh, darling, I can hurry, I can rush,

I'm not an old frump like Mrs. Parrish.

Really, you should have insisted.

I could scream.

Go on then, scream.

How's that ?

Oh, Mary, you are making me feel such a swine.

I don't mean to.

I know you can't take me.

I'd most likely be an awful nuisance.

No, no, it really isn't so tragic.

Aren't you glad I think it is ?

Oh, yes.

You know, sometimes I get the absurd idea

that you might think New York isn't

quite the place for me again.

You don't think that, do you ?

What on earth do you mean ?

Oh, you know.

No I don't, really.

Well, I'm glad.

'Cause I can't remember New York

without thinking of us, can you ?

You know what I mean ?

Yes.

I wasn't exactly your wife then, was I ?

Or don't you want to remember that ?

You're my wife now. Don't talk like that.

That doesn't have anything to do

with your aunt taking me, does it dear ?

Of course not.

I think I'll leave a card. They're probably busy.

How do you do, Lady Riversleigh ?

How do you do er...

Who are you ?

I'm Lord Rexford's secretary.

Oh, really, how nice.

This is my secretary, Bertie Davis.

What's your name ?

My name's David Fenwick.

Oh, is it.

How do you do ?

That's Philip's valet.

What a distinguished face he has.

And I'm talking to the servant.

I'm so confused.

I'm sure it's a bad day to call.

I think I'll leave a card.

No, please, I know they're both expecting you.

Oh, they changed the hall. Painted it white.

Looks like a railway station as it is.

It's Lady Riversleigh.

I'm counting out my cigarettes.

Bertie go to the car and get them there.

Aunt Hetty, how are you. I haven't seen you for years.

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Edmund Goulding

Edmund Goulding (20 March 1891 – 24 December 1959) was a British film writer and director. As an actor early in his career he was one of the 'Ghosts' in the 1922 British made Paramount silent Three Live Ghosts alongside Norman Kerry and Cyril Chadwick. Also in the early 1920s he wrote several screenplays for star Mae Murray for films directed by her then husband Robert Z. Leonard. Goulding is best remembered for directing cultured dramas such as Love (1927), Grand Hotel (1932) with Greta Garbo and Joan Crawford, Dark Victory (1939) with Bette Davis, and The Razor's Edge (1946) with Gene Tierney and Tyrone Power. He also directed the classic film noir Nightmare Alley (1947) with Tyrone Power and Joan Blondell, and the action drama The Dawn Patrol. He was also a successful songwriter, composer, and producer. more…

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Submitted on August 05, 2018

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