Richard Pryor ...Here and Now Page #2

Synopsis: Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor's later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
Director(s): Richard Pryor
Production: Sony Pictures Entertainment
  1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
83%
R
Year:
1983
83 min
244 Views


''Big black motherf***er.

Look what he did to my jacket.

F***ed my sh*t--

F***ed my sh*t up.''

'Cause he was sitting in there

in the room with me...

I didn't want to f*** around

'cause his whole leg was big as me.

So I say, ''Hey,Jim,

sh*t, this is hip.

I can't wait till I put

this sh*t on tonight.''

I ain't gonna wear

this motherf***er.

F*** you,jacket.

This is the set and sh*t.

This ain't real, now.

'Cause there might be

some tourists and sh*t be saying...

''Hey, there's Bourbon Street.

It look like my house.''

But they fixed this sh*t up.

In Hollywood, them motherfuckers,

boy, they're good, ain't they?

They done created an illusion.

Hey, I like the way

that did that. Sh*t.

Creative. Listen, listen. This

motherf***er would be f***ed up,Jack.

You should have this on the street

when the motherf***er leave home drunk.

You flip this sh*t out

in front of your house.

Right?

Motherf***er come back--

''Hey, baby! Sh*t! Baby?

B*tch, what's happening?''

But this is always the impression

that people get of New Orleans, right?

This Bourbon Street.

Like I said.

Like there ain't

no more of New Orleans.

If you ain't in the

French Quarter, f*** it.

But they got a whole lot

of sh*t here.

How you doin', sir?

The motherf***er walk like he dared

for somebody to be in his seat.

Look at him.

You knew wasn't nobody

gonna be in your sh*t, right?

This is a strange place though,

New Orleans...

'cause you can't tell what

no motherf***er is down here.

No, 'cause you motherfuckers

look white and be black.

So--

And then the black ones

talk that funny kind of sh*t.

You know, you talk to 'em, say--

''What you want?

You come back-- You like me, yeah?''

And the girls say,

''You gonna f*** me for true?''

Sh*t like that. You know. Sh*t!

See, you go up north, white folks

don't know what to do,Jack.

''Why, this is

a different kind.

Sh*t, he must be from

Brazil or somewhere.''

You know what? Down here, motherfuckers

have the biggest fun of anybody.

Motherfuckers have a parade,

start dancin' at a drop of a hat.

Right? Just go outside

in the sunshine.

''Say, have you

a buzz on yet?

I like it, me.'' The motherfuckers

start dancin' and sh*t.

Be 400 people be

dancin' down the street...

talking about,

''The sun is shining, hey!''

And I understand like

you dance at funerals and sh*t.

Have a good time.

You don't be f***ing around.

''Motherf***er dead.

Let's dance his ass off.

It's a good day to die, motherf***er,

'cause we having big fun.''

That's the way to do it. It ain't

supposed to be around cryin' and sh*t.

Motherf***er's gone.

That's it.

You say, ''Sh*t, we had

big fun when he was here.

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Richard Pryor

Richard Franklin Lennox Thomas Pryor (December 1, 1940 – December 10, 2005) was an American stand-up comedian, actor, and social critic. Pryor was known for uncompromising examinations of racism and topical contemporary issues, which employed vulgarities and profanity, as well as racial epithets. He reached a broad audience with his trenchant observations and storytelling style, and is widely regarded as one of the greatest and most influential stand-up comedians of all time. Pryor's body of work includes the concert movies and recordings: Richard Pryor: Live & Smokin' (1971), That Nigger's Crazy (1974), ...Is It Something I Said? (1975), Bicentennial Nigger (1976), Richard Pryor: Live in Concert (1979), Richard Pryor: Live on the Sunset Strip (1982), and Richard Pryor: Here and Now (1983). As an actor, he starred mainly in comedies such as Silver Streak (1976), but occasionally in dramas, such as Paul Schrader's Blue Collar (1978), or action films, such as Superman III (1983). He collaborated on many projects with actor Gene Wilder. Another frequent collaborator was actor/comedian/writer Paul Mooney. Pryor won an Emmy Award (1973) and five Grammy Awards (1974, 1975, 1976, 1981, and 1982). In 1974, he also won two American Academy of Humor awards and the Writers Guild of America Award. The first-ever Kennedy Center Mark Twain Prize for American Humor was presented to him in 1998. He was listed at number one on Comedy Central's list of all-time greatest stand-up comedians. In 2017, Rolling Stone ranked him first on its list of the 50 best stand-up comics of all time. more…

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Submitted on August 05, 2018

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