Primary Colors Page #2

Synopsis: Jack Stanton is running for president. The election is seen through the eyes of young Henry Burton. Along the way Stanton must deal with a sex scandal.
Genre: Comedy, Drama
Director(s): Mike Nichols
Production: Universal
  Nominated for 2 Oscars. Another 10 wins & 29 nominations.
 
IMDB:
6.7
Metacritic:
70
Rotten Tomatoes:
80%
R
Year:
1998
143 min
648 Views


cracker who's done piss for

blacks in his state?

I could say the same about Larkin.

But he will. He has to wait.

He's a black Congressman.

I don't like Larkin. I don't know

what Stanton wants, but...

I do. He wants to use the grandson

of a civil rights leader...

a black man i politics,

to get votes.

That's hilarious. Yeah, put a black

man on the team,...

that'll roll in these votes.

That's why so many black men

run the country.

If politics upsets you, work for

the Black Advocate.

We're never disillusioned.

Hand me that tie.

Get your own damn tie.

No, no tie, no suit. Just

leather jacket cool.

I'll be back in 2 hours, then we can

discuss the Black Advocate.

Don't be mad.

Okay, be mad, but only for 2

hours. Wait up for me.

Oh, my God. My boy.

Henry Burton. I am

mighty honored.

I'm Arlen Sporken, the Governor's

media consultant.

Nonfat caffeine?

I am delighted you're on board.

Honey, get me a sandwich.

Only if you pinch my cheek

and call me sugar.

I'll get it. We're going to

win this thing.

Absolutely. But the big question

is Ozio. You think...

has the "cagones" to run.

It's cojones.

I don't know Ozio well enough

to judge his cojones.

They're big, but they're glass.

Governor, it's nice to...

You remember Miss Walsh.

-Sorry.

-You all right, darling?

Thank you for this, um, opportunity

to discuss the, um...

The program. A great program,

don't you think, Henry?

Yes. It's an excellent program.

Now, tell the board what

we discussed.

Yes, I will.

-I'll just see my way out.

Thank you.

She's on the board of the

teacher's union.

Ah, a teacher and a librarian.

It's the missus.

Hi, darling.

Honey, I'm sorry. We got

stuck here.

But great news... We made real

progress with the teachers.

Tonight? Are you sure? Oh,

I'm sorry, honey.

Charlie, did we have a meeting

with the guy from the...

Portsmouth Democratic Committee?

Goddamn it, Charlie.

Are you Uncle Charlie, the

Medal of honor winner?

Well, I'm Uncle Charlie. And

whatever else he says.

If you'll stop popping my eardrum,

I'll leave now.

Don't... Susan, don't go.

Susan, just stay...

-We better go. Where's the plane?

-Teterboro.

All the way out there?

Okay, let's go.

Arlen, see you in D.C. Daisy,

go with Howard, Henry...

Mitch, Charlie, let's go.

Go? But I came to talk to

you about...

We'll talk on the plane.

-But I teach classes in the morning.

-Call in sick.

-The kids won't mind.

-Can I make a phone call?

When we get there. Now,

let's talk...

Hi, honey.

This is Henry Burton.

My wife, Susan.

I met you 25 years ago at

your grandfather's.

You were running under the sprinkler

in wet underpants.

He was a great man.

Rate this script:5.0 / 1 vote

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

All Elaine May scripts | Elaine May Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Primary Colors" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/primary_colors_16222>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Primary Colors

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.