Pauline at the Beach Page #2

Synopsis: Fifteen year old Pauline and her older cousin, model-shaped Marion, go to the emptying Atlantic coast for an autumn holiday. Marion ignores the approaches of a surfer and falls for Henri, a hedonist who is only interested in a sexual adventure and drops her soon. Pauline's little romance with a young man (Sylvain) is also spoiled by Henri.
Genre: Comedy, Drama, Romance
Director(s): Éric Rohmer
Production: MGM Home Entertainment
  5 wins & 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
R
Year:
1983
95 min
1,171 Views


herself with a home.

I don't have one.

This house isn't really a home.

It has no furniture.

I can't stand a woman...

who makes me think of her

as furniture.

Glad to hear it!

But that's what she did.

I wanted her to be...

as free as I am,

as light and moveable...

to have no luggage,

physical or mental.

She had a daughter!

So did I!

You didn't take care of her.

Yes, I did. I raised her

the first two years.

She wasn't a burden?

Very little.

-Less than your wife?

-Much less!

Then keep her.

I have no right,

legally, that is.

And a child needs roots.

She can uproot herself later.

Didn't you say you lived alone?

Yes, but...

I'm just waiting.

Waiting for what?

That unpredictable thing

called love.

I've never really

fallen in love...

and I want to.

I let myself be misled

by a man...

who convinced me that

he loved me and I loved him.

I believed him.

But it wasn't love.

lt was being faithful.

Being faithful

meant a lot to me.

It still does.

I believe that to really love...

you must think

it'll last forever.

But we all make mistakes.

You won't make any more?

I don't know.

But I won't believe

something's love when it isn't.

Love burns.

I want to burn with love.

When it's worth it, I hope.

For whom?

I don't know.

It'll happen, I don't know when,

but quite unexpectedly.

Maybe never.

I hope not. But I'll burn.

But will you know

where to aim your flame?

No. I said it would happen...

quite unexpectedly.

Then you'll make

another mistake.

That's true. I could.

You're free now. Enjoy it.

Don't tie yourself down.

That depends to whom.

Freedom doesn't interest me.

I don't think the way you do.

What bothered me,

if I may say so...

wasn't being attached...

but being attached to someone

I didn't burn for.

I've never burned with love

except in dreams...

as girls do for a movie-star...

a prince, an athlete, a face

glimpsed and never seen again.

But it wasn't love.

I've probably set hearts aflame.

But they belonged to people

I didn't care about...

so I never noticed.

Men may have

killed themselves over me!

l hope not.

If they did, I never found out.

But strange as it may seem,

one thing has never happened...

to spark a love in myself

and in another...

instantly and reciprocally.

But I don't despair.

It'll happen one day...

and suddenly,

I'll go up in flames.

Maybe not suddenly.

Just as well.

Passion that flames too quickly

burns out too fast.

No, it must catch right away,

take you by surprise.

And after that?

After the surprise?

After the surprise,

it's all surprises.

Why worry about ''after''?

Because love, like life,

exists in time.

Yes, but in the present.

Rate this script:5.0 / 1 vote

Éric Rohmer

Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (French: [eʁik ʁomɛʁ], 21 March 1920 – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal, Cahiers du cinéma, from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut—were making the transition from film critics to filmmakers and gaining international attention. Rohmer gained international acclaim around 1969 when his film My Night at Maud's was nominated at the Academy Awards. He won the San Sebastián International Film Festival with Claire's Knee in 1971 and the Golden Lion at the Venice Film Festival for The Green Ray in 1986. Rohmer went on to receive the Venice Film Festival's Career Golden Lion in 2001. After Rohmer's death in 2010, his obituary in The Daily Telegraph described him as "the most durable filmmaker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career. more…

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Submitted on August 05, 2018

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