One Wild Oat Page #2

Synopsis: A barrister attempts to discourage his daughter's infatuation for a philanderer by revealing his past. The plan backfires when the daughter's would-be father-in-law threatens to reveal the barrister's shady background.
 
IMDB:
5.4
Year:
1951
77 min
48 Views


I'll apply to a magistrate where did you

get that knowledge from I looked it up

you mind if your books as soon as I met.

Fred I knew you wouldn't bike very mr.

Barratt of Wimpole Street that is a

ridiculous remark mr. Ballad of Wimpole.

Street as an actor Humphrey I do think

you're a hard man

I'm nothing of the sort I've merely

tried to do my duty somebody's got to

look after my daughter if I thought do

it who can I didn't mean anything I'd

say that didn't really I didn't mean

anything either except that I'll never

give my consent and get straight off you

needn't worry about her she knows how to

take care of herself I just gotta get

myself to things it seems only yesterday

I danced a little girl on my knee now

suddenly she's a woman it was a born

women Humphrey I did so want a barrister

for a son-in-law I don't know why I do

is because you never managed to become

one yourself

you're a wonderful solicitor well that's

not much consolation look Caroline for

32 years I've carried this in my

dispatch case my father gave it to me to

encourage my ambition I've never once

more lit in court

never mind yeah you've been instructing

solicitor for seven important lawsuits

we lost six of them but you wonder seven

know the defendant died Threadgill be

Alfred guilty oh I won't stand for it

thank you young give me and Jenna

exactly what I think of em I have to go

to any such thing I'll call him at this

hour

oh god I will see oh thank heavens sake

don't lose your temper

you'd only make things more difficult

I'm gonna give that boy a piece of my

mind.

Oh Oh is it hump it Belfort speaking I'm

creeped out for the Proudfoot pound foot

on Proudfoot so this it was I just want

to tell you that I think you're a

bounder sir

oh you do do you only a scoundrel would

keep a young girl out to pasture hook

talk in the mummy

aye you certainly did you took it to the

neck it's no doubting better sir you're

nothing but a loose-fish I'll dip Atene

and a very nasty chip of a

double-dealing old doc Oh Oh steady

steady

no don't bother

no please please don't bother that boy

sounded very rude it wasn't the boy I

got the father he's coming down here to

see me

and I better wait until he arrives so no

no no Caroline oh I'd rather you didn't

hear what he has to say that sort of man

you was his word you wouldn't even

understand it will matter if I stay oh

no perhaps you better wait in the hall

and be ready to fetch a policeman

an awful bad temper gonna fight me

don't get him see your wig wig wig I had

it a moment ago

ratchet where did I put the wretched

thing spit ow thank you be happy

well well into the small world yes.

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Vernon Sylvaine

Vernon Sylvaine (1896–1957) was a British playwright and screenwriter. He is known for writing several popular stage farces. He began working in film in 1937 when his stage hit Aren't Men Beasts! was turned into a film of the same title starring Robertson Hare and Alfred Drayton. Hare and Drayton starred in two further adaptations of his plays A Spot of Bother (1938) and Women Aren't Angels (1943). He adapted his own play for the 1943 comedy-thriller Warn That Man starring Gordon Harker, Basil Radford and Judy Kelly. His 1948 play One Wild Oat was turned into a 1951 film of the same title. He was the father of the actress June Sylvaine. more…

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Submitted on August 05, 2018

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    "One Wild Oat" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/one_wild_oat_15281>.

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