On the Town Page #2

Synopsis: Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best.
Production: MGM
  Won 1 Oscar. Another 1 win & 2 nominations.
 
IMDB:
7.6
Rotten Tomatoes:
96%
NOT RATED
Year:
1949
98 min
1,216 Views


a coin in a box.

Out of the way.

We're takin' a picture here.

Why don't we get one of these sailors

in the picture? Stand here.

Miss Smith, give him the dime.

You put the fare in the box for her.

Hey, you're... Aren't you Miss Turnstiles?

- How did you know?

- I saw your picture in the subway and...

- You mean you saw my picture at...

- Yeah.

Oh, that.

I'm terribly flattered you liked it

well enough to take it with you.

- How's that, Max?

- Fine.

Drop the dime in the box, Sailor. Hold it.

That's all, Miss Smith. Thanks, Sailor.

We're proud of our boys.

Thanks. I'm terribly late now.

I'll have to run.

Goodbye, Sailor.

Thanks for posing with me.

Hey, wait!

- We'll head her off at the next station.

- What?

In a cab.

Why do you always have to run after girls?

I'll tell you when your voice changes,

Junior.

Hey, Oz, come on.

Taxi. Taxi.

Sorry. No more fares today.

I'm turning in the cab. It's overdue.

Please, mister.

Hey! He's a girl!

What're you doing driving a cab?

The war's over.

I never give up anything I like. Get in.

- The subway station.

- It's right there. You too weak to walk it?

No, the next one, uptown.

All right, but only if he gets up front.

All right, Chip. Get up there.

- Get in there.

- No.

Come on. Get going.

- What's wrong with you?

- What's got into you?

I met her. I ran right into her. You said

it couldn't happen and I ran into her.

What became of the line of jive

that "mows 'em down"?

I didn't have a chance. Just watch me

when we catch up with her.

Lady, faster, please.

Yeah, come on, lady.

For you, anything. What's your name?

Chip.

Chip, huh? Bet you can't guess mine.

There are over two million

girl's names registered...

All right, you win. It's Esterhazy.

Brunhilde Esterhazy.

Pleased to meet you.

- Why don't you come up to my place?

- What?

Look, Chip, I've been waitin' for you

all my life.

I knew you the minute I saw you.

You're for me.

I like your face, it's open,

you know what I mean? Nothin' in it.

The kind of a face I could fall into.

- Kiss me.

- Please, Miss Esterhazy.

Just call me Hildy. Why don't you ditch

these guys and come up to my place?

Lady, I hardly know you.

I've only got one day in town.

- I want to see all the famous landmarks.

- Stick with me, kid, I'll show you plenty.

Hey, here it is.

Oh, yeah, Columbus Circle.

- Hey, Esterhazy, what're you doin' here?

- Hello, Spud. What's on your tiny mind?

Don't sweet-talk me.

This cab is due back in the garage.

Bixby's waitin' to take it out.

Get in there or I'll report you.

Okay. Okay.

We must have just missed the train.

Taxi. Taxi. Taxi.

I'll bet we'll find dozens of glamour girls

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Adolph Green

Adolph Green (December 2, 1914  – October 23, 2002) was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for some of the most beloved movie musicals, particularly as part of Arthur Freed's production unit at Metro Goldwyn Mayer, during the genre's heyday. Many people thought the pair were married, but in fact they were not a romantic couple at all. Nevertheless, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership that produced some of Hollywood and Broadway's greatest hits. more…

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Submitted on August 05, 2018

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