Of Time and the City Page #2

Synopsis: Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He's born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it's tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies' narration is a mix of his own reflections and the poems and prose of others.
Director(s): Terence Davies
Production: Strand Releasing
  2 wins & 11 nominations.
 
IMDB:
7.3
Metacritic:
81
Rotten Tomatoes:
95%
Year:
2008
74 min
Website
165 Views


As I struggled with

my adolescent desires,

as I waited at the top of the aisle,

as the wrestlers swaggered up

from the ring,

their trunks tight across the buttocks,

I could feel their body heat

as I furtively touched a back or a thigh,

choking with schoolboy guilt

and trembling with the fear

of the wrath of God.

Oh, save me from those dark desires

which thrill and compel.

The world. The flesh.

And the Devil.

(Bell rings)

(# Male voice sings Perotin's

Beata Viscera)

Caught between Canon

and the criminal law,

I said goodbye to my girlhood.

Here, I wept...

...wept and prayed until my knees bled,

but no succour came -

no peace granted.

Here was my whole world.

Home. School. The Movies.

And God.

You, who damn but give no comfort.

Why do I plead?

Why do you not respond, angel eyes?

Jesus, mercy. Mary, help.

Lull me to safety.

(# Plainsong continues... )

Between sleeping and waking,

Earth does not revolve.

And slow turns the life

of meagre timbre,

of dullest breath.

Between birth and dying,

some lovely moments grow.

And sorrows not known until tomorrow,

cloud the happy hours

spent dreaming in the sun.

Between joy and consolation,

no easy path.

Some flights of fancy,

some colour.

Glorious old Hollywood;

small, comic England.

Black and white.

Between loving and hating,

the real journey starts.

Let go the latter, embrace the former,

then fall to heaven on a gentle smile.

Between waking and sleeping,

the earth resumes its turn.

The soft light fills the room,

the nightly demons perish from the bed,

and all humanity braves another day.

(Archive recording of woman)

'We used to help one another out.

'Go to wash house.

'Do washing for anyone if they couldn't,

'or nurse them if they were sick.'

Those are all right,

but yours still smell of smoke!

'And then, of course,

my mother died on Christmas Eve.

'And she left me at fourteen

'with a little baby, twelve months old,

'and another one, er, four.

'Me dad stayed with us

eight weeks.

'And then he got a ship,

and went away and left us.

'Course, he died after, you know.

'Then I had more trouble

on me plate, like.

'Me husband never ever

got much work.

'I had to work all me life.

'But thank God! God's been very good

to me. And his Holy Mother.

(Bell chimes)

(# The Spinners:
Dirty Old Town)

# I found my love

# By the gas works croft

# Dreamed a dream

# By the old canal

# Kissed my girl

# By the factory wall

# Dirty old town

# Dirty old town

# I heard a siren

# From the dock

# Saw a train

# Set the night on fire

# Smelled the spring

# On the sulphured wind

# Dirty old town

# Dirty old town #

The year moves towards November.

Rate this script:0.0 / 0 votes

Terence Davies

Terence Davies (born 10 November 1945) is an English screenwriter, film director, novelist and actor. He is best known as the writer and director of Distant Voices, Still Lives (1988) and The Long Day Closes (1992) as well the collage film Of Time and the City (2008). more…

All Terence Davies scripts | Terence Davies Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Of Time and the City" Scripts.com. STANDS4 LLC, 2024. Web. 27 Apr. 2024. <https://www.scripts.com/script/of_time_and_the_city_15100>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.