Nothing But a Man Page #2

Synopsis: Born in Birmingham, Duff Anderson, the father of a male toddler, who lives with a nanny, re-locates to a small town to work on the railroad. He meets with and is attracted to Josie much to the chagrin of her preacher father. The marriage does take place nevertheless, both re-locate to live in their own house and he gets a job in a mill. He decides not to bring his son to live with them. Challenges arise when the Mill Foreman finds out that Duff is attempting to unionize the workers, forcing Duff to quit, and look for work elsewhere. Unable to reconcile himself to working on a daily wage of $2.50 picking cotton nor even as a waiter, he gets a job at a garage. He is enraged at a customer for belittling him and Josie, and is let go. Unemployed, unable to support his wife and son, he gets abusive and leaves - perhaps never to return.
Genre: Drama, Romance
Director(s): Michael Roemer
Production: New Video
  4 wins & 1 nomination.
 
IMDB:
8.1
Metacritic:
87
Rotten Tomatoes:
95%
NOT RATED
Year:
1964
95 min
$9,248
436 Views


FRANKIE:

Yeah, I quit.

He gets up. At loose ends, he picks up an old Flit-gun and squirts it at

Duff, who is polishing his shoes.

DUFF:

You got nothin' on your mind but your hair,

Frankie. How 'bout your car, Riddick?

RIDDICK:

Yeah, you can have it.

JOCKO:

Man, you won't like that back seat.

FRANKIE:

Man, why 'you messin' around with a gal like

that? You won't get no place.

JOCKO:

Hell, they're all after the same thing.

POP:

Yeah. All a colored woman wants is your money.

JOCKO:

What d'you know about women, Pop?

POP:

Well, I got married to one of them.

JOCKO:

Hell, I didn't know you was married.

POP:

Sure. Got a sixteen-year-old girl.

JOCKO:

Is that right?

(to Duff)

Think you're gonna make it with her?

FRANKIE:

Just get her drunk.

DUFF:

(to Riddick)

How 'bout the key?

FRANKIE:

I bet she's easy jam.

DAWSON DINING ROOM (Night)

A middle-class tableau. Dinner is over. Reverend Dawson is reading the paper.

Josie, dressed for an evening out, sits across from her step-mother, who is

looking at her with pursed lips.

MRS. DAWSON

I know you pay no mind to my feelings, but

d'you think it's right for you to go out with

him?

JOSIE:

I'm twenty-six years old, Susan.

MRS. DAWSON

Perhaps you ought to tell her, Frank.

Reverend Dawson has no stomach for confrontations, but turns to Josie

dutifully.

REVEREND DAWSON:

Well, we have a position in town, Josie. You

have to remember that. There're lots of other

young men.

MRS. DAWSON

I don't think your mother would have approved.

JOSIE:

I do.

MRS. DAWSON

Well, there's just one thing you can be looking

for in a man like that.

JOSIE:

I know that's what you think.

REVEREND DAWSON:

Hush your mouth, child.

The doorbell rings.

JOSIE:

(leaving the table)

Good night, Dad.

ROAD HOUSE:

On the dimly lit, smoke-hung floor a large crowd is dancing. Josie is having

a great time. When the music ends, she and Duff return to their table.

DUFF:

That's pretty good for a preacher's daughter.

JOSIE:

What d'you expect?

DUFF:

You know, baby, I can't figure you out.

JOSIE:

How d'you mean?

DUFF:

Why d'you come out with me? You slummin' or

something?

JOSIE:

No.

DUFF:

So what you doin' with a cat like me in a joint

like this?

JOSIE:

You don't think much of yourself, do you?

DUFF:

(put off)

Well, that's a funny thing to say.

JOSIE:

You keep asking me why I'm here.

DUFF:

Yeah, and you keep not answerin', too.

JOSIE:

I like a place with lots of life.

DUFF:

How about another beer?

JOSIE:

No thanks.

DUFF:

Go on - you can have one!

His attention is drawn by something off screen.

DUFF:

Hell!

JOSIE:

What is it?

Frankie and Jocko swagger toward them, beer in hand.

Rate this script:4.0 / 1 vote

Michael Roemer

Michael Roemer (born January 1, 1928) is a film director, producer and writer. He has won several awards for his films. He is the recipient of a Guggenheim Fellowship. A professor at Yale University, he is the author of Telling Stories. more…

All Michael Roemer scripts | Michael Roemer Scripts

0 fans

Submitted by aviv on February 02, 2017

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Nothing But a Man" Scripts.com. STANDS4 LLC, 2024. Web. 25 Apr. 2024. <https://www.scripts.com/script/nothing_but_a_man_935>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Nothing But a Man

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.