No Man of Her Own Page #2

Synopsis: Clark Gable plays a card cheat who has to go on the lam to avoid a pesky cop. He meets a lonely, but slightly wild, librarian, Carole Lombard, while he is hiding out. The two get married after Lombard wins a coin flip and they move back to the city. Gable continues his gambling/cheating scheme unbeknownst to Lombard. When she discovers his "other life", she presures him to quit. Gable feels crowded and tells her that he is leaving for South America. In fact, Gable has decided he wants to go straight and turns himself in to the cop...
Genre: Drama, Romance
Director(s): Wesley Ruggles
Production: Paramount Pictures
 
IMDB:
6.7
Year:
1932
85 min
72 Views


And those radiograms you sent me.

You know you set the boat on fire?

Charlie had to spit twice

to put it out.

Three times.

Oh, I've got to see you for five

minutes. It's important, I tell you.

Babe, I miss you so.

You can't let me down this way

after what we've been to each other.

You know, what gets me is why

women can't laugh when it's over.

It was all right, wasn't it?

What you bawling about?

When you joined up with us, it was a

business proposition, pure and simple.

Keep it simple, will you?

Why did you make love to me?

Go on, tell me. Why did you?

You know

I'm a hit-and-run guy.

Never going to have to

comb any gal out of my hair.

I'm free, see? And ankle-chains

give me the jitters.

Not even answering

my radiograms.

I ever tell you I loved you?

You bet I didn't.

I'm a square shooter.

I tell you, you can't walk

out on me now, I won't let you.

Think you're a big wag,

don't you?

Well, if you walk out on me

now, it's for good.

I knew you were a good sport.

I'll ditch the whole works, I'll

go to Morton, I'll tell him...

Sure you'll go to the police, the

newspapers. I play it on my drum.

I'll jump off this roof,

believe me.

I can't depend on you.

(DOORBELL BUZZING)

You'll probably have

your chance to talk now.

How are you, Mr. Collins?

Nice to see you.

Thought it was you, Mr.

Stewart. Saw you in the hall.

I have friends

in the building.

I am glad you dropped in.

Sit down.

Let me mix you a drink.

Oh, excuse me, Mr. Collins.

Miss Everly, my fiance.

How do you do? I met Mr.

Collins on the boat, going over.

That's funny. On the boat

coming back, too. Coincidence.

Oh, card game, eh? Didn't

know you like cards, Stewart.

Didn't see you touch them

on the boat.

I never play cards

with strangers.

You know those sharks

on ocean liners.

Beautiful crossing, wasn't it?

Smoothest sailing boat

I've ever been on.

Funny.

Doing nothing but bump

into old friends tonight.

Just ran across Morton

downstairs.

Morton? Really?

Just left here.

Yeah, he told me

you had a little card game.

Friends for years.

Well, Babe, you're not gonna

get away with it this time.

I've wised up Morton plenty

about you and your crowd.

I don't know what you're talking about.

But if you wanna make a pitch, go ahead.

Get someone to

book your charge.

I know how you work.

Morton won't stand front page stuff.

His daughter's being married next week.

But when I get through with

him, he'll be seeing it my way.

And I'll be seeing you.

So long.

Babe, sure wish you'd take me with you.

All right, all right, won't say it again.

I told you, I want you to keep your

eyes on Collins and your fist on Kay.

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Maurine Dallas Watkins

Maurine Dallas Watkins (July 27, 1896 – August 10, 1969) was an American journalist and playwright. In the 1920s she wrote the stage play Chicago (1926), about women accused of murder, the press, celebrity criminals, and the corruption of justice. Her play had a successful run on Broadway, during the roaring twenties — the play was then adapted twice for film. Watkins went on to write screen-plays in Hollywood, eventually retiring to Florida. After her death in 1969, Chicago was adapted in 1977 as a successful Broadway stage musical, which developed into an award winning 2002 film version. more…

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Submitted on August 05, 2018

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