Loulou Page #3

Synopsis: Maurice Pialat's portrait of contemporary France mocks prosperity as a substitute for social and sexual revolution. Nelly abandons her bourgeois friends and a steady relationship for the unemployed layabout Loulou, whose charms include focusing his energy into sex.
Genre: Drama, Romance
Director(s): Maurice Pialat
Production: New Yorker Films
  4 nominations.
 
IMDB:
6.8
Rotten Tomatoes:
100%
TV-14
Year:
1980
101 min
Website
136 Views


No, I came to collect

some of my things

Why don't you stay?

He's very unhappy

You were such a nice couple.

And he spoiled you

- He's unhappy without you

- You look after him

Yes, but it's not the same

I can see to his needs, perhaps

But he misses you

And I'm not always here.

You'll be back?

Yes, I'll be back next week

Stay a little longer.

He may be back

No, I must rush. 'Bye

Goodbye, Madame

I wanted to see you alone

Oh, I didn't understand

Let's go out, then

I'll be back

So, his name is Loulou

I call him Louis

- Have you looked at him?

- Sure, what of it?

- You can't stay with him

- I don't know

Our three years don't count?

Of course they do. Don't be stupid

What, then?

- Sex doesn't last

- I need both

What's he got?

He never stops, if you must know

- You b*tch!

- Stop it!

I'm going to kill you!

You're mad!

- Let me go!

- Who's holding you?

Louis! Louis!

Leave me alone!

Let him come! I'll brain both of you

- You'll be sorry

- Let me go!

Let me go! You're hurting me

Stop it!

Stop! Stop it!

Louis, let go of him. Stop it

Louis, please. Stop!

I don't like that at all

Who'll pay for the letterbox?

I've lost a button

I insist. You must pay for it

Look at it. My letterbox

is all crushed now

Just look at it

And my letterbox?

Who's going to pay for it?

- He will pay you

- Who?

Let's talk

- Can't I talk to him?

- All right, let's go then

Let's have a drink

Three pints, please

Let me. How much?

9 francs 60, sir

You must be hard up

I still have some money in the bank

How much?

Don't know

- About 500,000

- You won't go far on that

The trouble is, I can't find anyone

to take over your job

Someone who knows the bits

You can have it back

No, I don't want any more scenes

There won't be any

No more scenes

Mind if she worked with me?

- It's up to you two

- It'll only make you suffer

On the contrary

You know how it is.

I'll be seeing you, at least

It'll help, soften the blow

Well then?

I don't know

I don't know

We'll see

You'll phone me?

Don't be miserable

I'm not miserable

- Still using it?

- Yes, a few minutes

- Bring it back, OK?

- Yes

- May I?

- Yes

All right?

I like working with you

That's good, don't you think?

It has potential

Leave it

It's not for you! Leave it

You spoil him

- Take it off. It doesn't suit you

- It does!

OK, lovebirds?

No one's in love any more.

Everyone's getting a divorce

None of our friends have children

Annie and Michel are a real couple

Your brother and sister-in-law

are a joint-stock company

What do you do besides...

Here you go again

Can't I say anything?

Living in a hotel room can't be fun

Oh, I just close the door and

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Arlette Langmann

Arlette Langmann (born 3 April 1946) is a French screenwriter, film editor and production designer. Born in Paris to Jewish immigrant parents from Romania and Poland, Langmann is best known for her long-running collaborations with her brother Claude Berri, Maurice Pialat, and Philippe Garrel. more…

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Submitted on August 05, 2018

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