Killshot Page #3

Synopsis: Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an extortion scheme go wrong. Thinking they are at last safe, they are targeted by an experienced intimidating hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
Genre: Crime, Drama, Thriller
Director(s): John Madden
Production: The Weinstein Co.
 
IMDB:
6.0
Rotten Tomatoes:
43%
R
Year:
2008
95 min
Website
111 Views


you still drive a pickup?

I like to think

success hasn't changed me.

Wayne.

- Who the f*** is Wayne?

- Beats me.

Hey, let's go.

- Wayne

- What's going on here?

Hey, forget it,

let's get out of here.

No, he ain't...

Lock the door!

Call the cops!

F***!

For a job.

Wait a minute, I said that

Nelson knew I was coming by.

It was hardly an appointment.

His wife's an employee, no need

to talk about Wayne dropping by.

Hence the suit.

- But you're an iron worker?

- Hence the boots.

I'm looking at other things, OK?

It's just an odd time

to appear, that's all.

- Lunch? There's nobody here.

- I was here.

Because I could be

making some claims.

- Like the window... damages.

- You didn't know these guys?

No, sir.

Because nobody witnessed

you arriving separately.

Wait just a minute,

they shot at my husband.

- He probably saved my life.

- Mr. Colson.

you knew nothing about

these blackmail calls?

- Hey, I don't know about any calls.

- What blackmail calls?

There were some calls last week.

Huh, creeps, I told the police.

But not us? Those creeps

had guns, Nelson.

- Please.

- Wayne.

A**hole.

I'm bleeding something fierce here, man.

Let's go to Marine City, I wanna see Donna.

- Who the f*** is Donna?

- She's this woman I'm staying with.

Now, she's cool, man,

I told her about you.

It's on the way to "Port Hell".

My brothers and I come up here

one time to kill a guy.

No sh*t.

- What'd he do?

- I didn't ask 'em.

That, doesn't make sense to me.

I gotta... be pissed

at a guy when I kill him.

Why didn't you just shoot him?

He was standing right there

in the f***ing window!

You wanna learn something?

The only time you ever

take out your gun...

- is when you gonna kill somebody.

- Yeah, well you could've right there.

It's the same as a hunter.

The guy who knows what he's doing,

he don't take the shot...

if he thinks he can miss.

If he does, he's gotta find

the animal and finish it.

Two apart.

Are you saying there were

woman there? What...

What the woman do?

She saw my face.

You don't ever

leave things undone,

even if you think somebody's

not going to remember you.

Some people were asking

after you this morning.

What people?

They said they were friends

of yours, from Toronto.

What you tell 'em?

I told them

I hadn't seen you in years.

You see my friend's face, Lionel?

Fell of a ladder.

Got cut up,

couldn't go to work.

I said, hey...

let's go duck hunting.

You free to take us?

Weather's supposed to turn.

Why don't we go anyway.

- Richie's never seen a marsh before.

- I've seen a marsh

Come on, Lionel.

This won't take long.

You okay?

Guess so.

That Indian guy freaked me out.

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Hossein Amini

Hossein Amini (Persian: حسین امینی‎; born 18 January 1966) is a British-Iranian screenwriter and film director. Amini has worked as a screenwriter since the early 1990s. He was nominated for numerous awards for the 1997 film The Wings of the Dove, including an Academy Award for Best Writing – Adapted Screenplay. He also won a "Best Adapted Screenplay" award from the Austin Film Critics Association for his screenplay adaptation of Nicolas Winding Refn's Drive (2011), based on the novel by James Sallis. For his directorial debut, he both wrote and directed The Two Faces of January, an adaptation of the Patricia Highsmith novel. more…

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Submitted on August 05, 2018

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