Johnny Got His Gun Page #3

Synopsis: Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death - a quadruple amputee who has lost his arms, legs, eyes, ears, mouth and nose. He remains conscious and able to think, thereby reliving his life through strange dreams and memories, unable to distinguish whether he is awake or dreaming. He remains frustrated by his situation, until one day when Joe discovers a unique way to communicate with his caregivers.
Genre: Drama, War
Director(s): Dalton Trumbo
Production: Cinemation
  Nominated for 1 Golden Globe. Another 3 wins & 2 nominations.
 
IMDB:
7.9
Metacritic:
71
Rotten Tomatoes:
70%
R
Year:
1971
111 min
2,807 Views


is a cripple, and--

and all he can do

is go around

selling pencils!

Oh, no!

Not my other arm, too!

No, no! Please, no.

You've already taken

one of my arms--

I want him moved to

the least conspicuous room

you can find,

for his own good.

A room with a lock

and something over the windows

so they can't peer

in at him.

There isn't a decent

unoccupied room in the building.

Utility room?

Supply room?

Store room? Anything.

He can't tell

the difference.

Put someone

in here who can.

There's a game out there,

and the stakes are high.

And the guy who runs it

figures the averages

all day long

and all night long.

Once in a while,

he lets you steal a pot.

But if you stay

in the game long enough,

you've got to lose.

And once you've lost,

there's no way back.

No way at all.

Hit me.

Pay 20.

Christ, I sure could

do with a shot of whiskey.

Help yourself.

Bets down.

How'd you learn that?

I used to do it

at weddings.

Hey, can you do

card tricks, too?

Sure.

Cards to the gamblers.

Hit me.

I'm just fine.

Boy, I'm just fine.

Hit me.

Stan?

Hit me,

but not too hard.

Now, watch him get 21.

Pay 21.

It's a funny thing,

I can do

almost everything

but hit a 12.

any harder to hit

then a 13, should it?

Shouldn't be, but it is.

That's nothing

but superstition.

A 12 to hit

is just the same

as any other

number above it,

only better.

Don't let anybody

tell you different.

Assembly. What time

is it anyhow?

Three Christmases

and 41 days.

Time to go.

If I don't make

that train, I miss--

I miss a date to be killed

on the 27th of June

at 4:
30 a.m.

in the morning.

Not too good

for my kid, huh?

He's only a year,

eight months,

and smart as hell

already.

Sure wish I could see

him when he was 5.

You'll see him

when he's 50.

And you'll still be 23.

What the hell?

We're all gonna be killed.

That's what we're here for.

He's already got his.

And the big Swede here,

he's gonna catch flu

and die on shipboard.

I'm gonna get buried

in a trench cave-in

and smothered to death.

Now, isn't that

a hell of way to go?

Jeez.

All aboard!

Next stop, New York,

Atlantic Ocean,

and Paris, France!

What's this guy doing here?

He ain't gonna get killed.

Leave him alone.

He's all right.

Come on, boys.

On your feet.

We've got to make

that train.

Are you going with us?

Of course. I've got

lots of trains to handle.

Lots of dead men.

So many dead men,

you wouldn't believe it.

Not my legs! Not my legs, too!

Oh, God, no.

Not my legs, too.

Help me, somebody.

Help me.

Don't let them

cut my legs off.

Don't let them take my legs, too.

Jesus.

They just went ahead

and chopped off everything.

Rate this script:4.0 / 4 votes

Dalton Trumbo

James Dalton Trumbo (December 9, 1905 – September 10, 1976) was an American screenwriter and novelist who scripted many award-winning films including Roman Holiday, Exodus, Spartacus, and Thirty Seconds Over Tokyo. One of the Hollywood Ten, he refused to testify before the House Un-American Activities Committee (HUAC) in 1947 during the committee's investigation of communist influences in the motion picture industry. He, along with the other members of the Hollywood Ten and hundreds of other industry professionals, was subsequently blacklisted by that industry. His talents as one of the top screenwriters allowed him to continue working clandestinely, producing work under other authors' names or pseudonyms. His uncredited work won two Academy Awards: for Roman Holiday (1953), which was given to a front writer, and for The Brave One (1956) which was awarded to a pseudonym of Trumbo's. When he was given public screen credit for both Exodus and Spartacus in 1960, this marked the beginning of the end of the Hollywood Blacklist for Trumbo and other screenwriters. He finally was given full credit by the Writers' Guild for all his achievements, the work of which encompassed six decades of screenwriting. more…

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Submitted on August 05, 2018

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