It Happens Every Spring Page #5

Synopsis: A college professor is working on a long term experiment when a baseball comes through the window destroying all his glassware. The resultant fluid causes the baseball to be repelled by wood. Suddenly he realizes the possibilities and takes a leave of absence to go to St. Louis to pitch in the big leagues where he becomes a star and propels the team to a World Series appearance.
Genre: Comedy, Sci-Fi, Sport
Director(s): Lloyd Bacon
Production: 20th Century Fox Film Corporation
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
100%
APPROVED
Year:
1949
87 min
80 Views


scientifically I can't explain it at all.

You mean it has something to do with your experiment?

Yes, sir. But unless I get a chance to demonstrate it-

Oh, you intend to give demonstrations,

uh, lectures of some kind?

Well, no, not exactly.

Well, what are you going to do?

Take it to some commercial labratory

like the one you mentioned?

What was it?

Norworth Laboratories.

Well then, why is the time indefinite?

Will you grant me the leave, Dr. Greenleaf?

If I don't go now, I'll miss my train.

Well, I don't know, Vernon.

It's most unusual right in the midst of a semester,

but if this is really such an

extraordinary scientific contribution,

I don't suppose we should stand in your way.

Um, alright, Vernon. Catch your train.

I'll talk to Forsythe.

Oh, thank you, sir.

Oh, is Debbie still asleep?

Well, I presume so.

Will you tell her I said goodbye,

that she'll hear from me soon?

Thank you, sir.

All Aboard!

[Train chugging]

[Typing]

Morning.

I wanna see Mr. Dolan, please.

He won't see anybody on game days.

Oh, but this is urgent.

I know. Everybody's urgent.

What do you want to see him about?

Well, it's a personal matter.

Well, he doesn't have anything

to do with the concessions.

-Neither do I.

-Good Morning, Mr. Dolan.

Good morning.

Oh, Mr. Dolan!

-Mr. Dolan, I wanna talk to you.

-Not today.

But listen to me, Mr. Dolan.

This could mean a great deal to you.

You heard what I said.

Run along. I'm busy.

Ms. Manglestein-

I'm not asking for any

money or any favors, Mr. Dolan.

I'm trying to do you one.

Then do it. Get out of here.

Mr. Terry wants to know-

Not this morning.

I've gotta go right down to batting practice.

This wire from Denver.

[Phone rings]

Hello.

Yeah, yeah. I'll be right down.

About this pitcher,

Chop Suey or whatever his name is-

Cop Suley.

Cop Suley, yeah well wire them I want him.

Just a minute.

Before you send this wire-

Will you get out of here!

No, I will not.

Ms. Manglestein, send for one of the cops.

I'm a pitcher, Mr. Dolan,

and you need one very badly.

Now, I can win the pennant for you

Oh, that's all I need this morning,

another crackpot.

I am no crackpot, and that's no idle boast.

It's a simple, mathematical fact.

Look, I heard what you said, Mister.

But we don't hire ball players that way.

Now if you'll just-

I realize that, but the

circumstances are rather unusual.

I can win thirty games for you.

Thirty games.

Is that all?

Well, no, thirty is the minimum.

Ah no, you're not very screwy.

Do you know there ain't more than a dozen pitchers

ever won thirty games in a season?

Of course I do,

and I can give you their names if you like.

Never mind.

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Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

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