Following Page #2

Synopsis: An older man listens to Bill's story about being a callow writer who likes to follow strangers around London, observing them. One day, a glib and self-confident man whom Bill has been following confronts him. He's Cobb, a burglar who takes Bill under his wing and shows him how to break and enter. They burgle a woman's flat; Bill gets intrigued with her (photographs are everywhere in her flat). He follows her and chats her up at a bar owned by her ex-boyfriend, a nasty piece of work who killed someone in her living room with a hammer. Soon Bill is volunteering to do her a favor, which involves a break-in. What does the older man know that Bill doesn't?
Director(s): Christopher Nolan
Production: IFC
  5 wins & 4 nominations.
 
IMDB:
7.6
Metacritic:
60
Rotten Tomatoes:
79%
R
Year:
1998
69 min
1,930 Views


- I don't do it for the money.

For the adrenalin, and because,

like you, I'm interested in people.

Yeah, you can tell a lot

about people from their stuff.

- How old would you say

these people are?

- Don't know.

You can tell a lot from the futon

for a start. Young people have futons.

These people wouldn't be

anywhere near 40 with a futon.

And they've got one laundry bag,

which means they're probably

very used to each other.

Probably about 25 or over.

They could be 20, and they've

been living together for years.

Nah. Look at the books.

They're college educated.

Probably graduated

when they were 21 or 22.

Moved in together

in the last year.

You can tell more

from their music.

And here is the box.

- What box?

- Everyone has a box.

- But mainly it's just a shoe box.

- Is there valuables in it?

No, more interesting.

More personal things like snapshots,

letters, little trinkets

from Christmas.

See?

Envelope, photo,

calling cards, notes.

Sort of an unconscious

collection, a display.

- What do you mean, "display?"

- Well, display.

Each thing tells something

very intimate about the people.

We're very privileged to see it.

It's very rare.

Hey, hey, hey, hey!

What--

What the hell

did you do that for?

It's like a diary.

They hide it.

But actually they want someone

to see it. That's what I do.

See their display.

Flip sides of the same coin.

This way they know

that someone's seen it.

That's what it's all about--

interrupting someone's life,

making them see all the things

they took for granted.

Like when they go back and buy

all this stuff from the shelves

with the insurance money,

they'll have to think

for the first time in a long time...

why they wanted all this stuff,

what it's for.

You take it away,

and you show them what they had.

Saucy, eh?

Found these in the last flat.

I think I'lljust give them

something to, uh, chat about.

Why would you want

to do that?

She'll find them in his trousers

and ask him what he's been doing.

Yeah, but why would you

want to f*** up their relationship?

Don't you listen?

You take it away...

and show them what they had.

- Fancy a drink?

- You've gotta be joking.

Don't be fooled

by the supermarket label.

I seem to remember I've had this before,

and it was actually quite good.

You'd have had a bit of difficulty

doing this with your gloves on.

- So are we actually

gonna take anything?

- Anything your heart desires.

But that's not really the point,

is it? I mean, this is work.

I thought the whole point

of burglary was taking things.

No, this is the point-- breaking in,

entering someone's life,

- finding out who they really are.

-[ Pouring Wine ]

Rate this script:2.3 / 4 votes

Christopher Nolan

Christopher Edward Nolan (born 30 July 1970) is an English-American film director, producer, and screenwriter. He is one of the highest-grossing directors in history, and among the most successful and acclaimed filmmakers of the 21st century. more…

All Christopher Nolan scripts | Christopher Nolan Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Following" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/following_8377>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Following

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.