Endless Night Page #2

Synopsis: Michael Rogers is a chauffeur with little money, but big dreams. Foremost of these is building his dream house on the perfect piece of land. Michael gets his chance when his new girlfriend, Ellie, turns out to be an extremely wealthy heiress. The two are wed and are soon living in a modern home on Gipsy's Acre. Their idyllic life shatters around them with a series of bizarre events and threats. Micheal comes under the disapproving eye of both Ellie's greedy family and her interfering best-friend Greta. On top of that, local legend says their property is cursed. What danger lurks for the young newlyweds, and is it a human plot or something supernatural?
Genre: Crime, Drama, Horror
Director(s): Sidney Gilliat
Production: Anchor Bay Entertainment
 
IMDB:
6.0
NOT RATED
Year:
1972
95 min
108 Views


It is; Santonix, the fourth of August ...

nine-thirty P.M.

Christ, I'll have to drive half the night!

It's unusual to find a ...

young man like yourself.

Hired driver?

Well, to be honest that's more

or less what I was thinking.

They say I get it from my father.

An architect?

Huh, he'd have liked the chance.

There Michael, lets draw

a key in the door shall we?

Then we can be alone.

If only you'd study, David.

Get qualified.

Qualifications ... what do they mean!?

The badge of mediocrity!

David, you know as well as I do

that unless ...

Oh for God's sake ... SHUT UP!

I don't think anyone understood him.

Especially Mum.

Gypsy's Acre ...

do you have an a-photograph?

No.

Send me some.

For you I could build a house

even more than Mr ... Constantine.

Hmm ... if I ever have the money.

And if I have the time left.

Oh It'll be a long wait all right,

if that's what you mean?

No, I was thinking myself you see, err...

I can't count on ... more than

than another three or four years.

It has something to do with the wrong

number of corpuscles of the right colour or ...

or the other way round,

I can never remember that.

Well, anyway ...

it was nice to have met you.

And you.

Send me some photographs anyway.

It might be fun to play

around with them.

Ok.

It may have been culture to you honey ...

but it was plain crap to me!

For Christ's sake,

last week in England ...

do you know what those seats

at Stackton-on-Avon cost!?

Twenty-five dollars!

Just to hear a mean-looking

fairy in a jock strap ...

explaining how he couldn't get around

to making a simple basic decision!

Well I guess we don't need Michael until

it's time to pick us up for the opera.

No, I guess not.

Say kid, do you know the ...

red-light district around here?

The dames in the windows?

Yes, sir.

Well stick around after the opera tonight ...

I just might treat you to one.

See if we can, uh, work of

some of this culture, huh?

Err, meanwhile, like we were saying;

your time's your own.

Thank you.

Thought I might spend it

at the Wright's museum ...

looking at the Rembrandt.

Jesus Christ!

He painted him too, sir ...

several times.

Excuse me.

Those faces ...

so strong ...

so sure of their own respectability.

They seem to be quietly sizing me up ...

and finding me wanting.

The ... car's just over there, sir.

Where the hell have you been all evening,

you were supposed to pick us up at the hotel?

Well I'm sorry, sir ...

but I got ... held up, just missed you,

so I came on here.

We waited around for you until eight-thirty!

We were late for the God-damn opera!

That must have upset you awfully, sir.

- You go ahead honey, I'll take care of this.

Rate this script:0.0 / 0 votes

Sidney Gilliat

Sidney Gilliat (15 February 1908 – 31 May 1994) was an English film director, producer and writer. He was the son of George Gilliat, editor of the Evening Standard, born in the district of Edgeley in Stockport, Cheshire. In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes (1938) for Alfred Hitchcock, and its sequel Night Train to Munich (1940), directed by Carol Reed. He and Launder made their directorial debut co-directing the home front drama Millions Like Us (1943). From 1945 he also worked as a producer, starting with The Rake's Progress, which he also wrote and directed. He and Launder made over 40 films together, founding their own production company Individual Pictures. While Launder concentrated on directing their comedies, most famously the four St Trinian's School films, Gilliat showed a preference for comedy-thrillers and dramas, including Green for Danger (1946), London Belongs to Me (1948) and State Secret (1950). He wrote the libretto for Malcolm Williamson's opera Our Man in Havana, based on the novel by Graham Greene. He had also worked on the film. more…

All Sidney Gilliat scripts | Sidney Gilliat Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Endless Night" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/endless_night_7660>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Endless Night

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.