El Dorado Page #2

Synopsis: Hired gunman Cole Thornton turns down a job with Bart Jason as it would mean having to fight an old sheriff friend. Some months later he finds out the lawman is on the bottle and a top gunfighter is heading his way to help Jason. Along with young Mississippi, handy with a knife and now armed with a diabolical shotgun, Cole returns to help.
Director(s): Howard Hawks
Production: Paramount Pictures
 
IMDB:
7.6
Rotten Tomatoes:
100%
NOT RATED
Year:
1967
126 min
3,113 Views


I did. The sheriff.

His story is a little different

from yours

Well, perhaps the law

doesn't quite see it my way.

Since when did hired guns get choosy?

- You're paid to...

- I'm paid to risk my neck.

I'll decide where and when

I'll do it. This isn't it.

I've got an idea you just don't want

to go up against Sheriff J P Harrah.

You know, you're just about right.

- You think he's that good?

- I tell you he's that good.

And, Mr Jason,

I see you don't wear a gun.

So I guess you always hire it done.

I'll give you

a little piece of advice.

If this bunch is all you've got,

don't tangle with Harrah.

'Cause they don't look tough enough

to me to stomp a stringy jackrabbit.

Well, Thornton, if that's

the way you think, I don't want you.

That's good enough for me...

Fancy vest, go ahead

and pull that rifle if you want to,

but you better speak to your boss

before you use it,

'cause he'll be dead

before I hit the ground.

Don't be a damn fool, Joe.

Go over there where he can see you.

I'll remember what you said,

Mr Thornton.

You do that.

Don't shoot no more, mister.

Please.

I won't.

Let me have a look at it.

- It's bad, isn't it?

- It isn't good.

My insides feel like they're on fire.

- Can I make you more comfortable?

- No, don't touch me, please.

- What's your name, son?

- MacDonald.

Luke MacDonald.

I can't stand it.

- Kevin MacDonald's boy?

- One of 'em.

I'm gonna have to get you home.

No, don't move me.

Please don't move me.

It's no use. I know it ain't no use.

Pa told me. Just don't touch me.

Well...

- There were two shots, Pa.

- I heard 'em.

- Luke should be back by now.

- I know.

Oh, no.

- Are we going, Pa?

- Where?

- Luke could be in bad trouble.

- If he is, we won't be any help now.

He went there to warn us.

He's warned us.

Better off here, where there's cover.

Find a good place inside that shed.

Jos and Miguel, go with him.

Danny, Felipe, come here.

Over behind that wall.

You gals, get in the house.

- Matt, we'll wait inside.

- All right, Pa.

Matt, go to that window.

Do nothing till I tell you.

Come out and get your boy.

- He's dead, ain't he?

- He's dead.

Jos, Miguel,

get him down from there.

- What happened?

- Luke, he's been killed.

I'm waiting to hear what happened.

I'll tell you what happened.

You left a boy out there

to do a man's job.

He went to sleep.

When I came by, he woke up,

jumped up and started firing his gun.

All I saw was somebody

shooting at me from the rocks.

- Cole Thornton.

- Yes, ma'am.

I don't believe you.

I don't care much, miss,

whether you do or not.

Pa's handling this. Just wait.

Get in the house, girl.

How do you know he was asleep?

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Leigh Brackett

Leigh Douglass Brackett (December 7, 1915 – March 18, 1978) was an American writer, particularly of science fiction, and has been referred to as the Queen of Space Opera. She was also a screenwriter, known for her work on such films as The Big Sleep (1946), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strikes Back (1980). She was the first woman shortlisted for the Hugo Award. more…

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Submitted on August 05, 2018

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