Diana Page #3

Synopsis: During the last two years of her life, Princess Diana embarks on a final rite of passage: a secret love affair with Pakistani heart surgeon Hasnat Khan.
Director(s): Oliver Hirschbiegel
Production: Eone Films
  1 nomination.
 
IMDB:
5.5
Metacritic:
35
Rotten Tomatoes:
8%
PG-13
Year:
2013
113 min
$1,049,915
Website
960 Views


You can't give Liverpool that much space

to plan, they'll walk right through you.

Who are the blue ones?

I don't think I should drive home.

Well, the tube is still running.

But if I leave my car here,

it'll be sold for scrap.

I was joking.

I already called for a driver.

The service here

is rather good.

We should really have horsedrawn

carriages at the ready.

The full Windsor experience.

I'm used to horsedrawn carriages.

I were driven to school in them.

- Pakistan?

- Yes.

Freezing cold,

huddled under blankets.

My friends and I, we would breathe the

cold air out and pretend we were smoking.

That's where the bad

habits started.

I don't have any bad habits.

How do I get out?

The paratroopers are waiting

for you outside.

They drag you to the tower of London.

Where the Prince of Wales will

personally interrogate you.

With his favorite set up of

medieval torturing lines.

Yes.

Yes, I was going to ask

about him.

Don't you read the papers?

Not those bits, sorry.

I'm glad somebody doesn't.

Charles and I

live separate lives.

So it's alright me coming here?

More than alright.

I'll call you soon,

if you like.

Yes.

Yes, I would like that.

Good night.

Good night.

Wonderful cooking.

There's no one theme

called jazz, right?

So when he says he likes jazz...

That's like saying,

I like food.

People who like different kinds

of jazz come to blows.

It's very weird,

from an intense young man.

He's so young.

Right, so.

Choose something, anything.

Good, yeah.

Stick it on.

You have to sit and listen.

You can't chatter through it,

they're very hard on that.

Sit.

Sit and listen.

Diana.

Surprise.

What are you doing here?

I couldn't sleep.

I thought I'd come to see

if I could help.

It's wonderful to see you, but

I don't think that's a good idea.

Right.

So bugger off, basically.

In the nicest possible way.

That's alright,

I'm good at that.

Had a lot of practice.

It's been mad in here.

I was actually going

to call you tomorrow.

Stop it.

Diana, just...

You can't do this to me.

Just one more, seriously.

I know you.

News of the World.

You've got a good memory.

Yes, I remember the ones

I don't like.

And I don't do them many favors.

Clive, I'll call you back.

Clive, it's Diana.

This is out of order.

I come here to visit the

terminally ill...

People who need to someone

to sit with them through the night.

Yes, and I'm allow to do this

in privacy.

No there isn't going

to be a divorce.

Will you please

follow the rules?

Good.

It's official, no more pictures.

Good night.

Sh*t.

I do a job that requires me

to be very focus.

It's not going to be possible

for you and I to go out together.

Rate this script:4.0 / 1 vote

Stephen Jeffreys

Stephen Jeffreys (born 1950) is a British playwright. His plays include: Like Dolls or Angels (1977) (Sunday Times Playwriting Award at the National Student Drama Festival); Carmen 1936 (Edinburgh Fringe Festival Fringe First in 1984); Valued Friends (1990, Hampstead Theatre); The Clink (1990); The Libertine (1994) - also a screenplay filmed with Johnny Depp; A Going Concern (1993); An adaptation of Richard Brome's play, A Jovial Crew (1992); I Just Stopped By to See The Man (2000); Interruptions (2001); and Lost Land (2005). (2008) The Convict's Opera, a reworking of The Beggar's Opera by John Gay, jointly commissioned by Out of Joint theatre company and Sydney Theatre Company. Backbeat (2011, Duke of York's Theatre, London) (Co-written with Iain Softley). Caught in Flight screenplay. A film on Diana, Princess of Wales more…

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Submitted on August 05, 2018

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