Clash of the Titans Page #2

Synopsis: Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis's son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished.
Director(s): Desmond Davis
Production: Warner Bros. Pictures
  2 wins & 6 nominations.
 
IMDB:
6.9
Metacritic:
59
Rotten Tomatoes:
68%
PG
Year:
1981
118 min
3,339 Views


But up to now I've lived

all my life in Seriphos.

Someday I will return

to reclaim Argos.

- After I was born, my mother and I--

- I know!

- You do?

- Certainly.

The beautiful princess

and the jealous tyrant...

...you and your mother

thrown into the sea...

...and the destruction of Argos.

It's been a popular story here

for the past 20 years.

I, myself, wrote a poem about it.

- Rather moving, as I recall.

- Then...

...can you explain

what happened to me tonight?

The gods of Olympus are mysterious,

and their motives are erratic.

My advice to you:

Return to the calm of Seriphos

as quickly as you can.

But my mother's last wish was

that I would restore her homeland.

Joppa would be a better starting place

than some remote little island.

Well, in that case...

...you ought to get something

more becoming to wear.

I mean, something more fitting...

...something more appropriate

for a prince, so to speak. Get out!

And look at this!

Ah, that looks well.

That will do very well.

Your sword.

Welcome to Joppa, Prince Perseus.

You set him down half-naked

in a strange, despairing city?

- Chance?

- Nothing to do with chance and you know it!

A deliberate and malicious act

unworthy of a goddess!

- You accuse me?

- Well, one thing is certain.

My son needs more than an actor's

cloak and a wooden sword!

Provide him with suitable weapons.

Weapons of divine temper.

A helmet!

A sword!

A shield!

And he must have them with all speed!

- All for love of Danae.

- No!

So many women have attracted him,

he couldn't remember her.

It's his foolish pride

in a handsome son.

As you say, so many women. And all

these transformations he invents...

...to seduce them.

Sometimes a shower of gold...

...a bull or a swan. He tried

to ravish me disguised as a cuttlefish.

- Did he succeed?

- Certainly not.

- What did you do?

- Beat him at his own game.

I turned myself into a shark.

Mm. Why, you're up with the sun.

Beautiful morning!

Magical!

I found this here by the statue.

That is the likeness of the goddess

of love. It's remarkable.

- A sword, eh?

- Yes.

- This is no ordinary sword.

- It's a strange metal.

It's neither brass nor iron.

It's like no metal I have ever seen.

By the gods!

There's a shield!

And over there's a helmet!

I was right to say, "By the gods!"

Who else could make a sword...

...that slices through solid marble...

...without leaving the slightest

blemish on the blade?

If the sword can do that...

...what about the helmet

and the shield?

We'd better--

That is, you'd better find out.

- I'll try the helmet.

- No! Try me first.

- What did you say?

- I didn't say anything.

The sound came from over by

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Beverley Cross

Alan Beverley Cross (13 April 1931 – 20 March 1998) (known as Beverley Cross) was an English playwright, librettist and screenwriter.Born in London into a theatrical family, and educated at the Nautical College Pangbourne, Cross started off by writing children's plays in the 1950s. He achieved instant success with his first play, One More River, which dealt with a mutiny in which a crew puts its first officer on trial for manslaughter. The play premiered in 1958 at the New Shakespeare Theatre Liverpool, starring Robert Shaw, directed by Sam Wanamaker, and in 1959, still with Robert Shaw, directed by Guy Hamilton at the Duke Of York's Theatre in London. Cross' second play, Strip the Willow, was to make a star out of his future wife, Dame Maggie Smith, even though the play was staged only in the provinces, never receiving a London production. In 1962, he translated Marc Camoletti's classic farce Boeing Boeing, which went on to have a lengthy and highly lucrative run in the West End. In 1964, he directed the play in Sydney. Another of his successes was Half a Sixpence, a musical comedy based on the H.G. Wells novel Kipps. This opened in 1963 and, like his first play, ran in London for more than a year. He also wrote opera librettos for Richard Rodney Bennett (The Mines of Sulphur, All the King's Men and Victory) and Nicholas Maw (The Rising of the Moon). Cross later became well known for his screenplays, notably Jason and the Argonauts, The Long Ships, Genghis Khan, and Clash of the Titans. He also adapted Half a Sixpence for the screen. He also worked uncredited on the script for Lawrence of Arabia, although it is doubtful whether any of his material made it to the final edit. He died in London in 1998, three weeks and three days before his 67th birthday. He was the stepfather of Maggie Smith's children from her earlier marriage, actors Toby Stephens and Chris Larkin. more…

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Submitted on August 05, 2018

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