Caligula Page #2

Synopsis: The rise and fall of the notorious Roman Emperor Caligula, showing the violent methods that he employs to gain the throne, and the subsequent insanity of his reign - he gives his horse political office and humiliates and executes anyone who even slightly displeases him. He also sleeps with his sister, organises elaborate orgies and embarks on a fruitless invasion of Britain before meeting an appropriate end. There are various versions of the film, ranging from the heavily truncated 90-minute version to the legendary 160-minute hardcore version which leaves nothing to the imagination (though the hardcore scenes were inserted later and do not involve the main cast members).
Genre: Drama, History
Production: Analysis Releasing
  2 nominations.
 
IMDB:
5.3
Rotten Tomatoes:
23%
UNRATED
Year:
1979
156 min
2,033 Views


Innocents, you see.

85

00:
13:38,235 -- 00:13:40,500

I protect their innocence.

86

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13:41,000 -- 00:13:45,000

This is the least I can do.

For it is a foul world.

87

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13:45,738 -- 00:13:47,738

Rise up.

88

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13:49,800 -- 00:13:53,910

Nerva is scouting at us.

Help me, Nerva.

89

00:
13:54,500 -- 00:13:56,859

Help me tranform this

young barbarian...

90

00:
13:56,959 -- 00:13:58,113

into a Roman caesar.

91

00:
13:58,213 -- 00:14:01,043

There have been

three Roman caesars.

92

00:
14:01,143 -- 00:14:03,543

Julius, Augustus and yourself.

93

00:
14:04,000 -- 00:14:06,500

Which do you want him to be?

-Best.

94

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14:06,600 -- 00:14:09,503

That would be your

father, Augustus.

95

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14:09,603 -- 00:14:13,080

You see, Caligula, I'm

insulted to my face.

96

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14:15,200 -- 00:14:16,729

Nerva, dear friend.

97

00:
14:16,829 -- 00:14:19,605

Watch out for Macro

when I'm dead.

98

00:
14:20,700 -- 00:14:26,322

I know. He hates me...

-...because you are wise.

99

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14:27,600 -- 00:14:30,344

Because you are good.

100

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14:30,444 -- 00:14:35,450

So when I'm gone,

watch out for Macro.

101

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14:37,000 -- 00:14:39,720

I've taken my precautions, Caesar.

102

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14:42,300 -- 00:14:44,300

Hmm. What might they be?

103

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14:49,700 -- 00:14:53,951

Heaven help Rome.

For I'm gone.

104

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14:55,900 -- 00:14:56,900

I am old.

105

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14:57,000 -- 00:15:00,043

Yes, Lord, but you will live forever.

106

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15:00,143 -- 00:15:05,575

All my family are dead but you,

child Gemellus and that...

107

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15:05,700 -- 00:15:07,813

...Claudius that's uncle.

108

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The others struck down by fate.

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And it is fate, little boots,

that rules us, not any god.

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You are a god, Lord.

111

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15:23,337 -- 00:15:26,566

No, I'm not.

Not even when I'm dead.

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15:26,760 -- 00:15:29,430

Julius Caesar and

Augustus Caesar,

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they are gods.

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So say the Senate...

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and so the people

prefer to believe.

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Such myth they use.

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Little boots, just look at you.

-Yes, Caesar?

118

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I am mercy.

A viper in Rome's bosom.

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Uncle.

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Caligula.

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Do you think

this boy have been drinking?

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I think he has, Caesar.

-So do I. Macro.

123

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16:41,782 -- 00:16:43,975

Yes, Lord?

-Bring him more wine.

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Gore Vidal

Eugene Luther Gore Vidal (; born Eugene Louis Vidal; October 3, 1925 – July 31, 2012) was an American writer and public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing.Vidal was born to a political family; his maternal grandfather, Thomas Pryor Gore, served as United States senator from Oklahoma (1907–1921 and 1931–1937). He was a Democratic Party politician who twice sought elected office; first to the United States House of Representatives (New York, 1960), then to the U.S. Senate (California, 1982).As a political commentator and essayist, Vidal's principal subject was the history of the United States and its society, especially how the militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer. Vidal thought all men and women are potentially bisexual, so he rejected the adjectives "homosexual" and "heterosexual" when used as nouns, as inherently false terms used to classify and control people in society.As a novelist Vidal explored the nature of corruption in public and private life. His polished and erudite style of narration readily evoked the time and place of his stories, and perceptively delineated the psychology of his characters. His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, with a dispassionately presented male homosexual relationship. In the historical novel genre, Vidal re-created in Julian (1964) the imperial world of Julian the Apostate (r. AD 361–63), the Roman emperor who used general religious toleration to re-establish pagan polytheism to counter the political subversion of Christian monotheism. In the genre of social satire, Myra Breckinridge (1968) explores the mutability of gender role and sexual orientation as being social constructs established by social mores. In Burr (1973) and Lincoln (1984), the protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the U.S. more…

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Submitted on August 05, 2018

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