Alphaville Page #3

Synopsis: Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression.
Genre: Drama, Mystery, Sci-Fi
Director(s): Jean-Luc Godard
Production: Rialto Pictures
  1 win.
 
IMDB:
7.2
Rotten Tomatoes:
90%
NOT RATED
Year:
1965
99 min
Website
3,046 Views


14, Light Radiation.

Institute of General Semantics.

You know where it is?

You prefer I pass through

the North Zone or the South?

What's the difference?

There's snow in the North

and sun in the South.

Anyway, it's my journey

to the end of the night.

So, it doesn't matter.

It was my first night

in Alphaville

but it seemed to me that

centuries had passed.

I'm very well, thank you

so very much.

Miss Natasha Vonbraun.

- Which section?

- Programming and memory.

The Central Memory...

...is thus named...

...because of

the primordial role...

...that it plays...

...in the logic-organization

within Alpha 60.

But no one has lived

in the past...

...and no one will live

in the future.

The present is the form

of all life.

This quality...

...cannot be changed by any means.

Time is like a circle...

...which turns endlessly.

The descending arc is the past.

The arc that climbs

is the future.

Everything has been said...

...provided words do not change

their meanings...

...and meanings their words.

Is it not obvious that someone...

...who customarily lives...

...in a state of suffering...

...requires a different sort

of religion...

...from a person habitually

in a state of well-being?

Before us, nothing existed here.

No one.

We are totally alone here.

We are unique,

dreadfully unique.

The meaning of words...

...and of expressions,

is no longer grasped.

An isolated word, or a detail

of a design...

...can be understood.

But the meaning

of the whole escapes.

Once we know the number one...

...we believe that we know

the number two...

...because one plus one

equals two.

We forget that first...

...we must know

the meaning of plus.

I'm going.

The acts of men...

...carried over...

...from past centuries...

...will gradually...

...destroy them...

...logically...

I, Alpha 60...

...am merely the logical means

of this destruction.

Good night, Comrade.

I thought I'd never

see you again.

- Shall we go?

- I'll get the keys.

I left because I couldn't

understand a word he was saying.

But it's very simple.

We learnt this evening

that death and life

are found within

the same circle.

- Are you afraid of death?

- Of course not. Why?

We took the tangent

to the center districts.

Traffic bulletins on the radio...

...as Natasha spoke to me

in her pretty sphinx voice.

Pretty sphinx...

Foreign ambassadors

usually attend

or delegations

from the districts.

Why does everyone

look so sad, somber?

You ask too many questions.

Because they lack electricity.

The essence...

...of the so-called

capitalist world...

...or the communist world...

...is not an evil volition...

...to subject their people

Rate this script:4.0 / 1 vote

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

All Jean-Luc Godard scripts | Jean-Luc Godard Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Alphaville" Scripts.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.scripts.com/script/alphaville_2601>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.