Unbroken Page #5
respect we have for your parents.
Everybody in town wants you put
away.
12-15B
Louise opens the door to find Louie being held by the scruff
of his neck, by a fed up Officer Collier. Pete, stands next
to her. He knows what the picture means, having seen it
before.
OFFICE COLLIER:
Sorry Louise. He was fighting
again.
Pete translates into Italian for his mother. Officer Collier
waits, then continues:
OFFICER COLLIER:
And we found this. He...painted the
bottle. It’s liquor. God only knows
where he got it. He won’t say.
Pete translates again. Louise looks from him to Louie. She
smells the bottle. The next exchange in Italian:
LOUISE:
Liquor! Toots? What did you do? Why
would you do this?
LOUIE:
I don’t know.
18 INT. LIVING ROOM - ZAMPERINI HOME - NIGHT 18
Louie, as his father spanks him hard with a belt strap.
Again, Louie’s expression is stoic, taking his punishment.
ANTHONY:
(In Italian)
How could you do this?! What are
you doing to this family?
What do I work for? To pay for
food, for a house! How could you do
this? (beat) They don’t want us
here anyway! And now you do this!?
You’ll kill your mother with worry.
You’ll kill her. (beat) You want
to go to jail? Do you?
Anthony stops. As an Italian father, he’s angry one second,
then he feels badly about the spanking. He loves his son but
doesn’t know how to handle him. Louie looks at him defiantly.
Louise stands in the doorway, concerned and heartbroken.
19 OMITTED 19
16 INT. ZAMPERINI HOME - DUSK 16
Close on eggs breaking. Flour sifted. Milk poured.
Louie watches from the top of the stairs as his mother makes
gnocchi in the kitchen.
12-15C
They are poor and the tins are almost empty but she scrapes
the very last of every ingredient into the bowl and makes
magic.
20
INT. LOUIE’S BEDROOM - NIGHT 20
With the lights out, Louie sits on his bed near the open
window.
Across the hall, with the doors just open enough, he can see
that his mother is saying her prayers before bed.
We hear Mrs. Zamperini's voice, somewhat muffled. The
Italian we hear is subtitled:
LOUISE:
Mother Mary please watch over my
family. And watch over Louie.
16-17
It is hard to read Louie's expression. But he is listening,
jaw set.
18
23 EXT. BLEACHERS, TORRANCE HIGH SCHOOL - DAY 23
In the shadows, under the bleachers - Louie, has a hideout
here. He looks out through the planks at the track.
The school track team is out training, watched by a small
gaggle of girl fans. Pete is one of the runners.
TORRANCE GIRLS:
Go, Pete! Yay, Pete! Come on!
19-22
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Unbroken" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/unbroken_576>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In