The Wedding Story Page #3

Synopsis: The Wedding Story” is a play told by a storyteller, bride, and groom. The storyteller is reading a story out of a book to an audience of children. Wanting to tell them a happy love story keeps being interrupted by the bride and groom. They keep correcting him on how the story really goes until he gets fed up. Angry, he tells a horrified comical version of their love story that does not have a happy ending.
Year:
2000
669 Views


BRIDE/GROOM:
Do it! Do it! (ad lib.)

STORYTELLER:
I’m warning you, it won’t be pretty.

BRIDE/GROOM:
We stand warned.

STORYTELLER:
I’m such a pushover.

(opens the volume back up)

Once upon a time in a trailer park not so far away, there lived a woman approaching middle age who drank a lot of bourbon, smoked a pack a day, hung out in places where they throw peanut shells on the floor—

BRIDE:
All right already.

STORYTELLER:
--and a young, slightly effeminate man who took it up the ass once from a fellow Eagle Scout, but since it only happened once when he was 17 and drunk on Kahlua, he still considered himself straight.

GROOM:
Hey hey hey.

STORYTELLER:
The woman and the man met in a bar one night where they got drunk and slept together afterwards at her place. Since the woman felt guilty about the one-night stand, she felt she needed to make a legitimate relationship out of the encounter to justify the sex, even though she really prefers black men. To stay deep in the dark closet, the man proposed to the woman, and since she’s 35 and, let’s face it, not getting any younger, she accepted his pathetic offer because it was a real ego boost to have snagged a hot stud eleven years younger than she, even if he does have the occasional problem getting a stiffy with her because he’s really gay. Although the man offered to plan the entire wedding with his best friend Steve, the woman insisted they hire a horse-drawn carriage to drop them off at the Airport of Vermont, from which they took six connecting flights to Las Vegas to get married by an Elvis impersonator. To celebrate, they showed up at the Star Dust Lounge, at which they bought all the bar patrons cheeseballs and Budweiser. When they arrived back home in Weehawken, New Jersey, the Groom, unable to suppress his inner self for a moment longer, took up with a drag queen from SoHo, and the Bride, realizing she’d never be a mother, consoled herself with vodka and Xanax and died of a somewhat accidental overdose three years later. The Groom, now 27, took up wearing cowboy hats and chaps, and made the unfortunate mistake of traveling to Wyoming on business where he was dragged to his death behind a 4x4 by a bunch of homophobic rednecks. The drag queen wrote a show about the three of them in which he played all the parts, won a Genius Grant, and landed his own talk show on New York City cable access.

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Julianne Homokay

Julianne began her career as a musical theatre performer following a B.A. in Theatre Arts from Point Park University. After a year in the Pittsburgh cast of NUNSENSE, many silly theme park shows, dinner theatre gigs too scary to mention and a stint in a hen suit, Julianne turned her focus to writing, eventually completing an MFA at the University of Nevada Las Vegas, studying under John O'Keefe, Julie Jensen, and the late, beloved Davey Marlin-Jones. Julianne has performed at such theatres as Mill Mountain in Roanoke, VA, the Fulton in Lancaster, PA, and here in town at SkyPilot Theatre and the Secret Rose. As a playwright, the theatres she has been read or produced at include Venus Theatre (Laurel, MD,) Mill Mountain, the Fulton, American Theatre of Actors (New York,) the Blank (Los Angeles,) the William Inge Center for the Arts, Ensemble Studio Theatre (New York,) the John F. Kennedy Center for the Performing Arts, SkyPilot Theatre, the Secret Rose and Whitefire Theatre (Sherman Oaks). She has directed and/or produced several original plays, and has served as a literary manager, dramaturg and theatre professor. Currently, she is an Arts Minister at the Parish Church of St. Mark, works on THE LATE LATE SHOW WITH CRAIG FERGUSON, and is enrolled in the Fundraising and Institutional Development program at UCLA. She is an Active Member of the Dramatists Guild of America, and represented by the Robert A. Freedman Dramatic Agency in New York. more…

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Submitted on June 12, 2016

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