The Debt Page #2
Rachel stares back at him in silence.
Sarah appears behind the boy, her son, and scoops him up
into a hug. Still the boy stares at his grandmother, who
gives a tight smile and turns back to the sea.
Another guest walks up to Sarah and she nods, smiling, at
what he is saying to her but her eyes slide back to her
mother, standing on the other side of the glass.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 5.
8 1NT/EXT. APARTMENT BLOCK. TEL AVIV SUBURB - DAY 8
A shabby, dimly-lit stairwell in a run-down section of the
city.
A YOUNG MOSSAD AGENT knocks at one of the apartment doors.
After a moment it is answered by OLDER DAVID, now 62.
YOUNG AGENT:
David Peretz?
DAVID:
Yes.
YOUNG AGENT:
You were expecting me?
David looks at this young version of himself.
DAVID:
Yes. I was expecting you.
YOUNG AGENT:
Would you come with me sir?
David stares at him, then walks back into the apartment.
The door almost swings shut and the Agent catches it,
considering walking in after him. But before he can, David
re-emerges carrying his jacket.
DAVID:
Let’s go.
TITLES BEGIN:
We TRACK with David, CLOSE on his face as the two men begin
the long walk down the staircase.
He doesn’t say anything to his companion, doesn’t look
around him, and we HOLD on that face as his mind tries to
catch up, tries to work something out, to decide...
9 EXT. STREET - CONTINUOUS 9
The apartment block stands on stilts. Abandoned furniture
is piled around the columns supporting the building.
Still on David as the two men walk out from the darkness
into the street that services the run-down estate. David
follows as the agent moves ahead towards a larger road.
FINAL SHOOTING SCRIPT WITH PINK AMENDMENTS - 26.03.09 6.
They cross a busy carriageway, and wait for a moment on the
central reservation for a break in the traffic.
Parked on the far side of the road, two identical cars,
their windows tinted.
The Agent moves to the leading car, opens the driver’s door
and gets in. David stops in the road, opens the rear
passenger door and throws his jacket inside.
He pauses for a moment and turns to look back at the second
car.
10 INT. CAR - CONTINUOUS 10
A MAN sits in the back of the car, silhouetted against the
brightness outside. This is OLDER Stephan, now 63.
He watches as David straightens up, hands on hips,
squinting up at the sun.
11 EXT. STREET. TEL AVIV SUBURB - CONTINUOUS 11
DAVID:
(Indistinctly)
Sorry.
The Agent turns.
YOUNG AGENT:
What, sir?
DAVID:
(Beat)
I - I think I...
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"The Debt" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/the_debt_566>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In