Tamara Drewe Page #5

Synopsis: The Independent journalist Tamara Drewe returns to Dorset, Ewedown, to sell the Winnard Farm that belonged to her deceased mother. Her neighbor Beth Hardiment runs a writers retreat with her unfaithful and womanizer husband Nicholas Hardiment who is a successful writer of Inchcombe adventures and cheats on Beth every now and then with younger women. Tamara was the sweetheart of the handyman Andy Cobb, whose family owned the Winnard Farm but lost it to Tamara's family, and when she sees him, she rekindles her love for him. However, when Tamara travels to interview the unpleasant drummer of the Swipe band Ben Sergeant, he has just found that his girlfriend Fran is having an affair with the other musician Steven Culley and he breaks up with the band. Tamara and Ben have a love affair and Ben moves to Winnard. Meanwhile, Ben's teenager fan Jody Long and her best friend Casey Shaw who are bored in Ewedown feel happy with the presence of Ben in the village. When Ben proposes to Tamara, they
Genre: Comedy, Drama, Romance
Director(s): Stephen Frears
Production: Sony Pictures Classics
  3 wins & 3 nominations.
 
IMDB:
6.2
Metacritic:
64
Rotten Tomatoes:
65%
R
Year:
2010
107 min
$560,101
Website
556 Views


Beth is raw with pain.

BETH:

(her voice raised)

Who is she?!

19A EXT. EVENING. STONEFIELD - THE GROUNDS (PATIO) 19A

Tess faintly hears. She stops mid chew, listening for more.

19B INT. EVENING. STONEFIELD - DOWNSTAIRS 19B

Nicholas coughs up.

NICHOLAS:

Just a researcher with Radio 4.

BETH:

What’s her name?

NICHOLAS:

Nadia, Nadia Patel.

This hits a nerve.

BETH:

Patel? She’s in your book.

NICHOLAS:

No, no I met her when I was on

Desert Island Discs.

BETH:

You put her in your book!

NICHOLAS:

Just the name.

BETH:

And Desert Island Discs was a year

ago.

NICHOLAS:

Yes but -

BETH:

Once or twice?

NICHOLAS:

I was going to tell you but

Beth utters an inchoate cry.

GOLDENROD REVISIONS 20.10.09 11A.

19C EXT. EVENING. STONEFIELD. THE GROUNDS (PATIO)

Tess hears it.

19C

Shhh!...

TESS:

Beth’s pained voice drifts out of the house.

BETH (O.S.)

You lying PIG!

A hush falls over the table.

19D INT. EVENING. STONEFIELD - DOWNSTAIRS. 19D

NICHOLAS (CONT'D)

Beth, I’m a ruin, I know - but I’ve

been in a real state about this... I

didn’t want to hurt you.

Another wounded cry from Beth.

19E INT. EVENING. STONEFIELD. KITCHEN. 19E

In the kitchen, Andy picks up his plate and goes.

GOLDENROD REVISIONS 20.10.09 12.

19F INT. EVENING. STONEFIELD - DOWNSTAIRS. 19F

Beth is incandescent.

BETH:

How can you lie to my face?

NICHOLAS:

Can we talk calmly about this?

There are people out there

BETH:

You look me in the face and LIE!

NICHOLAS:

For God’s sake; we’re surrounded by

novelists

BETH:

You BASTARD!

19G EXT. EVENING. STONEFIELD. THE GROUNDS (PATIO) 19G

A thrilled intake of breath goes round the table. The writers

(with the exception of Glen, who is mortified) are poised

like scavengers, waiting for more.

19H INT. EVENING. STONEFIELD - DOWNSTAIRS. 19H

NICHOLAS:

Beth, we’re like a pair of

compasses...

BETH:

Don’t you dare

NICHOLAS:

Joined solidly at the top but with

the ends able to roam, in freedom -

His phone beeps.

BETH:

That’s from her isn’t it? Are you

keeping her waiting?

Nicholas finally snaps.

NICHOLAS:

We’ve talked a lot about the *

creative mind and we agreed that it *

needs freedom to explore! *

GOLDENROD REVISIONS 20.10.09 12A.

BETH:

(leaving the house)

Take your freedom. I can’t live

like this any more. It makes me

feel WORTHLESS!

20 EXT. EVENING. STONEFIELD - THE GROUNDS (PATIO/PORCH). 20

Casey gawps, fascinated.

Nicholas is following Beth outside. Her agony travels through

the quiet evening air. The writers are open-mouthed.

NICHOLAS:

Calm yourself down!

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Moira Buffini

Buffini was born in Cheshire to Irish parents, and studied English and Drama at Goldsmiths College, London University (1983–86). She subsequently trained as an actor at the Welsh College of Music and Drama. For Jordan, co-written with Anna Reynolds in 1992, she won a Time Out Award for her performance and Writers' Guild Award for Best Fringe play.[2] Her 1997 play Gabriel was performed at Soho theatre, winning the LWT Plays on Stage award and the Meyer-Whitworth Award. Her 1999 play Silence earned Buffini the Susan Smith Blackburn Prize for best English-language play by a woman. Loveplay followed at the RSC in 2001, then Dinner at the National Theatre in 2003 which transferred to the West End and was nominated for an Olivier Award for Best Comedy. more…

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