Mouth To Mouth

Genre: Drama
Director(s): John Duigan
  3 nominations.
 
IMDB:
7.3
Year:
1978
96 min
52 Views


You pinched my smokes, didn't you?

- B*tch! - I did not.

What are they?

- They're mine.

- She bought them.

Oh yeah, for sure.

They're mine.

- Give 'em to me. - Why?

They're mine. Give us 'em.

Piss off.

Stop it!

Stop it!

Stop it!

Get out!

- What happened? - They're Carrie's cigarettes.

You can answer for yourself, can't you?

They're her smokes. I was with her when she got 'em.

You can go to your room now.

Why?

'Cause I'm asking you to.

Please.

Pauline.

Jeanie's going to her room now.

Why is it always you?

You awake?

I've got two! I've got two!

Yeah, where're you living then?

Around.

- Home?

- Nah. Not all the time, coppers come around.

Where then?

Around.

What do you reckon, we're gonna tell the cops, do ya?

North Ipswich's where we live.

In a mansion.

God, you're a mess.

Tonight's the night...

One of Carrie's mates.

Hey mate, you want a drink?

Dirty old bastard.

Come on, get out.

Come on.

Don't spill it!

Aren't you coming?

Nah, we're going over to Daryl's.

She's drunk.

- Piss off Jeanie. - Come on.

Come on...

We going to the party?

- In a while.

- Well I wanna go now.

Where's Carrie?

I dunno, still at the house.

How come?

'Cause she feels like it.

How you going? Ooh! Beautiful drive. Beautiful drive. Here we go, come on.

Great shot. Great shot. Don't ya reckon? Piss off!

Don't worry about it. It's only a game.

Get out!

- Leave her alone!

- Ah, she's happy.

Get out.

Leave her.

Don't ever do that to me.

We're going home.

She's all right.

You're alright, aren't ya?

Ahh, come on.

It's bloody cradle-snatching anyway.

I only wanted to go

to the party.

We're going home.

Come on.

We'll hitch a ride now, okay?

- They hot? - 'Course they are.

You want sauce?

- How ya going? - I'm alright.

Seventy cents, thanks.

How are you?

I'm alright.

See you later.

- How'd ya go? - Okay.

- Yeah? Are they coming? - Come on, I didn't ask them then. - Why not? - Because you don't ask someone out

...while you're lining up for a pie. I did the groundwork though. - Yeah, well when are you? - Later. Once the crowd's gone.

- Where do you reckon we should take 'em? - Dunno. It was your idea.

Go for a drink?

Well how much you got left?

Enough.

Just...

Twenty-four bucks.

I wonder how long that's gonna have to last.

Until the next cheque.

- She was looking at me before. - Geez, you're in a bad way.

- What do ya mean? - Look at ya. It's over you like a rash.

- What? - You'll be right.

Yeah, same again thanks. Three beers, and one Brandy Alexander.

- You don't have to keep buying them. - Nah, it's okay.

How come you got so much money?

Win some at the races.

- Yeah? - Yeah.

- How about you? - Yeah, I have me moments.

Thank you.

There we are.

You didn't tell us

where you're living.

- Around.

- Yeah?

With your folks?

- Where do you two come from?

- The country.

- Wonthaggi. - Where?

- Wonthaggi. - Wonthaggi.

It's in Gippsland, you know it?

Well I reckon we oughta go get something to eat.

- Can we have one more?

- Oh yeah. Sure. We oughta be celebrating while we've got the money. - How do you mean? - Yeah, well uh...

- Actually, we're looking for work. - Yeah, ours is only temporary.

Why do you spend all your money then?

Well if I've got it, I like to blow it.

I'm really hungry.

I'm starving.

Good.

Back in a minute then.

- Wanna come? - Yeah.

- Well? - Well I'm gonna really be pushing.

- But she's nice, great arse. - No good if you can't get your hooks into it. - You'll be right. - You will be.

What do you think?

I don't know.

What's wrong?

Oh he's all right. What's wrong with him?

You're dumb if you keep thinking about that other idiot.

- Why? - Do you think he likes you?

- He used to. - There's only one part of you he likes.

Oh look, come on.

Starving.

Serge.

Serge!

Where's your folks?

In the country. I just came to the city to get some work.

Hey, is there anything to drink?

Uh, I'll see.

There's some sweet sherry.

- Yeah? - Yuck!

- Oh I'll have some. - How about some crme de menthe?

Oh yeah! - You're not supposed to have that with pizza. - I don't care.

I suppose I'll have some if there's nothing else.

We can put some milk in it. Just like that other drink you were having.

You're stupid.

- You got any peanut butter?

- Yeah.

I'm gonna make some toast.

- Wanna see me room? - Why?

So you can check out my personality.

Okay.

Is, um, that your personality?

How do you mean?

- Do you mind taking it down? - Why?

Because I can't see you properly.

Okay.

We'll go back in now, okay?

Later.

How's it going?

- I don't know. I don't think she likes me.

- Of course she does.

- We'll stay with you tonight, okay? - Okay.

What did I tell you?

Well, we going?

Right.

- That's where it is. - Up there?

- How do we get up? - Fire escape.

- Forget it. - Oh it's not too bad, is it Tim?

- No, it's not far once you start.

- You don't have to climb up... - ...a fire escape to get into a motel. - Yeah, why isn't there a lift?

Because the building's locked. They've got a key, they can use it.

- And they won't mind us staying? - Me brother's really good. We've often stayed.

- With girls? - Oh yeah.

- How many?

- A few.

That just means it's okay.

I hope it's worth it.

Nearly halfway.

Ben's not here. He's doing his rounds.

- What does that mean? - He's checking out the building.

- Well so what? - Well Sue, his wife, she's really...

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John Duigan

John Duigan (born 19 June 1949) is an Australian film director. He is mostly known for his two autobiographical films The Year My Voice Broke and Flirting, and the 1994 film Sirens, which starred Hugh Grant. more…

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Submitted on August 05, 2018

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