Misery Page #4

Synopsis: After a serious car crash, novelist Paul Sheldon (James Caan) is rescued by former nurse Annie Wilkes (Kathy Bates), who claims to be his biggest fan. Annie brings him to her remote cabin to recover, where her obsession takes a dark turn when she discovers Sheldon is killing off her favorite character from his novels. As Sheldon devises plans for escape, Annie grows increasingly controlling, even violent, as she forces the author to shape his writing to suit her twisted fantasies.
Genre: Crime, Drama, Thriller
Production: Columbia Pictures
  Won 1 Oscar. Another 4 wins & 10 nominations.
 
IMDB:
7.8
Metacritic:
75
Rotten Tomatoes:
89%
R
Year:
1990
107 min
1,263 Views


CUT TO:

PAUL. Motionless, dead pale. He has a little beard now. Eyes

barely open, he's shaking with fever.

PAUL:

(hardly able to whisper)

...where...am I...?

ANNIE is quickly by his side.

ANNIE:

(so gently)

Shhh...we're just outside Silver Creek.

PAUL:

How long...?

ANNIE:

You've been here two days. You're

gonna be okay.

(relieved)

My name is Annie Wilkes and I'm --

PAUL:

-- my number one fan.

And now the gibberish words make sense.

ANNIE:

That's right. I'm also a nurse. Here.

(Now, as she brings the

pills close)

Take these.

She helps him to swallow, as Paul's eyes close.

DISSOLVE TO:

AN EXTERIOR OF THE PLACE. It's a farmhouse -- we're in a desolate

area with mountains in the background.

THE HOUSE is set on a knoll so that Paul's room, although on the

first floor, is ten feet off the ground.

CUT TO:

PAUL, in the room. He's not on the I.V. anymore. His fever has

broken. Annie enters, pills in her hand.

ANNIE:

Here.

PAUL:

What are they...?

ANNIE:

They're called Novril -- they're for

your pain. (helps him take them)

ANNIE applies a cool rag to his forehead.

PAUL:

Shouldn't I be in a hospital?

ANNIE:

The blizzard was too strong. I couldn't

risk trying to get you there. I tried

calling, but the phone lines are down.

PAUL tries to test his left arm.

ANNIE:

(Gently, her fingers go

to his eyelids, close

them)

Now you mustn't tire yourself. You've

got to rest, you almost died.

CUT TO:

ANNIE:
CLOSE UP. Sometimes her face shows the most remarkable

compassion. It does now.

HOLD ON IT briefly.

DISSOLVE TO:

CLOSE UP ON PILLS IN ANNIE'S HAND.

ANNIE (o-s)

Open wide.

CUT TO:

PAUL'S ROOM

He lies in bed. His fever is gone, but he's terribly weak.

CUT TO:

ANNIE. As she lays the pills on PAUL'S TONGUE, she gives him a

glass of water from the nearby bed table.

CUT TO:

PAUL, swallowing eagerly.

CUT TO:

ANNIE, watching him, sympathetically.

ANNIE:

Your legs just sing grand opera when

you move, don't they?

(Paul says nothing, but

his pain is clear)

It's not going to hurt forever, Paul,

I promise you.

PAUL:

Will I be able to walk?

ANNIE:

Of course you will. And your arm will

be fine, too. Your shoulder was

dislocated pretty badly, but I finally

popped it back in there.

(proudly)

But what I'm most proud of is the work

I did on those legs. Considering what

I had around the house, I don't think

there's a doctor who could have done

any better.

And now suddenly she flicks off the blankets, uncovering his body.

CUT TO:

PAUL, staring, stunned at the bottom half of his body as we

CUT TO:

PAUL'S LEGS. From the knees down he resembles an Egyptian mummy --

she's splinted them with slim steel rods that look like the

hacksawed remains of aluminum crutches and there's taping circling

around.

Rate this script:3.0 / 4 votes

William Goldman

William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He has won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists who broke the Watergate scandal of President Richard Nixon. Both films starred Robert Redford. more…

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Submitted on April 05, 2016

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