Ikiru Page #2

Synopsis: Kanji Watanabe is a civil servant. He has worked in the same department for 30 years. His life is pretty boring and monotonous, though he once used to have passion and drive. Then one day he discovers that he has stomach cancer and has less than a year to live. After the initial depression he sets about living for the first time in over 20 years. Then he realises that his limited time left is not just for living life to the full but to leave something meaningful behind...
Genre: Drama
Director(s): Akira Kurosawa
Production: Cowboy Pictures
  Nominated for 1 BAFTA Film Award. Another 5 wins.
 
IMDB:
8.3
Rotten Tomatoes:
100%
NOT RATED
Year:
1952
143 min
4,029 Views


X-RAY LAB

- Hiraoka-san...

- Yes.

Your stomach?

Yeah, my stomach's bad, too.

It's what they call "chronic. "

These days I hardly feel alive

unless my stomach hurts.

- Suzuki-san...

- Yes.

That man over there...

His doctor told him

he's got an ulcer,

but trust me, it's stomach cancer.

In a word, that very thing.

And stomach cancer

is practically a death sentence.

The doc usually says

it's just a mild ulcer,

and that there's

no real need to operate.

And that you can eat whatever you want

as long as it's easy to digest.

If that's what he tells you,

you've got a year, at most.

But if you've got these symptoms,

you won't last a year:

First, if the pain is kind of heavy.

Second, if you can't stop

burping unpleasantly.

And your tongue's always dry.

You can't get enough water and tea.

And then there's the diarrhea.

And, if it isn't diarrhea,

well, then you're constipated.

Your bowel movements go black.

And then,

that meat you used to love so,

you can hardly touch it anymore.

And whatever you eat,

you vomit half an hour later.

And when stuff you ate

last week comes up

when you vomit,

well, then you're done for.

You've hardly got three months...

Watanabe-san.

Watanabe Kanji-san.

Watanabe-san.

Yes.

Sit down.

Um... it looks like

you've got a mild ulcer.

Honestly...

please tell me...

the truth.

Tell me it's stomach cancer.

I just told you,

it's a mild ulcer.

What about an operation?

Can't you operate?

Oh, no, there's no need to operate.

It'll heal on its own.

And my diet?

Well, just use your common sense.

As long as it's easy to digest,

you can eat whatever you like.

Does that patient have a year?

No, I'd give him six months.

- Six months?

- Yeah.

What would you do if you had only

six months left to live, like him?

What about you, Aihara?

The barbiturates are over there.

Is there a blackout?

The street lights

and neighbors are lit.

How strange.

I wonder if Dad's out.

Where's the key?

In your handbag.

Did Hayashi-san forget to lock up

when she went home?

She's only a part-time maid.

Full-time would hardly break the bank,

but a thief sure would.

That's just like Dad,

the petty bureaucrat.

Man, it's freezing.

Just as cold inside as out.

I just hate Japanese houses.

Have a great time out and come home

to this dump. We need a modern home.

- Honey...

- Yeah.

A house of our own would

cost 500,000 yen, right?

Use father's retirement bonus

as collateral...

Yeah, it ought to be worth

6 or 700,000 yen by now.

Plus a monthly pension of

12 or 13,000 yen.

And another 100,000 in savings.

But you think he'd agree?

If he doesn't, we'll tell him

we're moving out. That'll clinch it.

Rate this script:4.6 / 5 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

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Submitted on August 05, 2018

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