Final Destination Page #5

Synopsis: Final Destination is an American horror franchise composed of five films, comic books and novels. It is based on an unproduced spec script by Jeffrey Reddick, originally written for the X-Files television series, and was distributed by New Line Cinema. All five films center around a small group of people that escape impending death when one individual (the protagonist of each film) has a sudden premonition and warns them that they will all die in a terrible mass-casualty accident. After evading their foretold deaths, the survivors are killed one by one in bizarre accidents caused by an unseen force engineering complicated chains of cause and effect, resembling Rube Goldberg machines in their complexity.
Genre: Horror, Thriller
Production: New Line Cinema
  3 wins & 3 nominations.
 
IMDB:
6.7
Metacritic:
36
Rotten Tomatoes:
34%
R
Year:
2000
98 min
Website
1,401 Views


CLEAR'S POV - GUIDEBOOK

Princess Di's Mercedes is totaled in a Paris tunnel. Besides the photo are

two portraits of Diana and Dodi Al Fayed.

CLEAR:

CAMERA INCHES IN as she shakes off a shiver down her spine. She looks up

from the book toward the student who handed it to her, the identity of which

is fully REVEALED to be Alex Browning.

He stands at the gate window, looking out at the plane.

ALEX'S POV - 747

It is raining. In the distance, MUFFLED THUNDER RUMBLES.

CAMERA CREEPS AWAY from the plane... huge, seemingly incapable of flight and

yet we unquestioningly trust our lives in this machine. Emotionless. Cold.

Lifeless, and yet soon full of life.

ALEX:

Camera inches in on him

TOD (O.S.)

Dude, let's take a dump.

Tod MOVES INTO FRAME beside Alex...

ALEX:

Man, that is one George Michael

notch from being gay.

TOD:

Dude, get wisdom. We're about to

board a seven hour flight. The toilets

in coach are barely ventilated closets.

What if your body wants that airplane food

out of your system and you have to go torgue

a wicked cable and then right after you walks

in Christa or Blake? You want them

to associate with you with that reflexive gag

and the watery sting in your eyes?

Alex takes a beat to consider...

CUT TO:

INT. MEN'S ROOM - AIRPORT - OVERHEAD

CAMERA LOOKS DOWN on two stalls. Alex sits in one, Tod sits in the other.

O.S., OVER the airports P.A. SYSTEM John Denver's "Rocky Mountain High"

begins...

ALEX:

John Denver...

Upon the mention, CAMERA CRANES DOWN, TURNING, TWISTING UNTIL FINDING ALEX

in a straight on CLOSE-UP. He listens, tense...

JOHN DENVER (O.S.)

He was born in the summer of his twenty

seventh year...

ALEX:

He died in a plane crash.

A P.A. ANNOUNCMENT breaks into the song...

P.A. SYSTEM

Ladies and Gentlemen, thank-you for

your patience, at this time we would

like to begin pre-boarding of Euro-Air

Flight 180 to Paris through gate 39.

Really for the first time, Alex appears a bit tentative and pale. It is

intensified by the return of the song...

JOHN DENVER (O.S.)

It's the Colorado Rocky Mountian High/

I've seen it rainin' fire in the sky...

CUT TO:

INT. BOARDING AREA - GATE 39 - CLOSE - ALEX'S BOARDING PASS

is torn along the perforated edge and handed back.

ALEX:

looks down the paasenger ramp.

ALEX'S POV - RAMP TUNNEL

CAMERA CREEPS toward it... lit to cheat of feeling of no return.

O.S., distant THUNDER RUMBLES...

WIDER:

There is something more emotionally tense about the moment of boarding than

take-off. CAMARA PICKS UP Ms. Lewton searching...

MS LEWTON:

Anyone seen Billy Hitchcock?

How'd we lose him?

Tod nudges Alex toward the tunnel, the three boys start down the ramp,

passing Mr. Murnau who checks his list, counting heads...

Rate this script:2.0 / 1 vote

Glen Morgan

Morgan was born in Syracuse, New York, and moved to El Cajon, California at the age of 14. While attending El Cajon Valley High School, he met James Wong, who would become his friend and professional partner. Both enrolled at Loyola Marymount University, graduating from the School of Film and Television in 1983, and afterward, wrote many scripts together. Morgan did not want to work on television at first, but wound up accepting a job on 21 Jump Street, which would later earn he and Wong a steady job at Stephen J. Cannell Productions. As Morgan was about to leave the company following scripts for The Commish in 1992, his former boss at Cannell, Peter Roth, invited him to work on a show being developed at 20th Television, The X-Files. more…

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Submitted by aviv on January 26, 2017

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